Harrell Davenport may be young, but he’s sure got a keen ear for the blues, as evidenced on debut album Young Rell

Posted on May 28, 2026 by Mike

The annual Blues Music Awards just took place earlier this month but we’re pretty sure we’ve already heard next year’s winner in the Best Emerging Artist Album category (captured this year by Sean McDonald for his Have Mercy!) in the soon-to-be released debut recording from rising Mississippi marvel Harrell “Young Rell” Davenport. We don’t want to get ahead of things, being that there’s still a long way–and, we’re sure, plenty of other great releases from emerging artists–to go until the next awards, but we’re just sayin’ that, for anything to eclipse Young Rell (Little Village), it’s going to need to be pretty darn special.

While we thought we’d seen and heard enough of Davenport in recent years on social media and in videos to have a pretty good sense of what to expect from the now 19-year-old on his debut, we don’t know that anyone could have guessed just how impressive this first outing from him would be, offering at various times throughout the album the sound of much more established and classic bluesmen including the likes of Bobby Rush, Johnny Rawls, T-Bone Walker, Magic Sam, and James Cotton, among others, even if his voice isn’t yet quite as seasoned. In addition to demonstrating some serious talent on vocals, guitar, and harmonica across a superb variety of tracks, Rell also proves here to be quite a songwriter, having penned all but two of the dozen tracks himself.

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Taj Mahal and Phantom Blues Band have voodoo working again on first album together in two decades

Posted on May 11, 2026 by Mike

There are few acts from whom we’ve enjoyed hearing more in the past decades than 1) the great Taj Mahal and 2) The Phantom Blues Band, a group with which Mahal is very familiar, having in fact assembled them as his own band in 1993. After making three records and a concert DVD with Taj–including two Grammy Award winners in Señor Blues and Shoutin’ in Key–along with various of its members also being featured on one or two other albums from Taj’s catalog, The Phantom Blues Band continued on and have recorded some pretty terrific albums of their own since their last offering with Taj in the early 2000s, occasionally reuniting with Taj during those years to record a single or two for other projects.

It may have taken two decades for Taj and the band to record another full album together, but this latest pairing of Mahal with the Phantom Blues Band–Time (on Taj’s own Resonatin’ Records label in conjunction with Thirty Tigers)–seems to pick right back up where these old friends left off and is every bit as entertaining as what we heard from them back around the turn of the millennium. 

In the album’s liner notes, Ruthie Foster observes: “This band doesn’t ‘back’ anybody. They lift you up, carry you, and dare you to rise higher.” Indeed, even with Taj Mahal now recognized among the musical wonders of the world, it’s clear that the musicians around him are very much his equals when the tape is rolling, with each allowed ample room to stretch out and add their own special touches, only helping to make Mahal sound that much better.

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Alvin Youngblood Hart, Guy Davis and Corey Harris fight on for, and with, acoustic blues on long-hoped-for second volume of True Blues

Posted on May 2, 2026 by Mike

It’s been more than a dozen years now since we told you about the first True Blues album, featuring solo and joint performances from such blues greats as Taj Mahal, Corey Harris, Guy Davis, Shemekia Copeland, Alvin Youngblood Hart, and harmonica ace Phil Wiggins, and then, shortly after that, our pleasure in catching three of those artists–Davis, Harris and Hart–during their tour in support of the album, with each of the bluesmen playing solo before joining for a short set together to end the night. 

Although this long-awaited follow-up to that project doesn’t include any joint performances like the first album and concert did, Fight On! True Blues Vol. 2 (Yellow Dog Records) sees those same three bluesmen reunited at least in spirit, rotating through nine solo acoustic tracks that include traditional blues numbers associated with Charley Patton, Rev. Gary Davis, and Mississippi Fred McDowell, along with several originals much in the same vein, about which Davis commented: “The fight we are waging is to keep this precious music form alive. To us, there is not so much difference between our arrangements of blues classics and our newly created work. It’s all connected to the ancestral spirit.”

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Fess up! by adding this Record Store Day Exclusive from the great Professor Longhair to your collection

Posted on April 15, 2026 by Mike

It’s hard to believe it’s already that time of year, but Record Store Day 2026 (RSD) is this Saturday, April 18. Here’s the last of several titles we’re highly recommending you seek out at your local vinyl store (and be sure to read our earlier reviews of others from Freddie King and Terry Callier).

Professor Longhair – Mardi Gras in Baton Rouge (Rhino Records)

Fresh off his re-discovery and comeback performance at the second annual New Orleans Jazz and Heritage Festival in 1971, the much-adored Professor Longhair returned to the studio for the first time in September of that year to record one of two sessions that would make up this album. Both that session (recorded in Baton Rouge, hence the album’s title) and the June 1972 follow-up session in Memphis featured, among others, fellow New Orleans legend Snooks Eaglin on guitar, with Zigaboo Modeliste of The Meters joining Fess on drums in Memphis. The album sat unreleased for two decades until 1991, with this 2-LP (one purple, one green — it is, after all, Mardi Gras!) RSD Exclusive marking the title’s first appearance on vinyl. 

Whether you call Fess’ style of music blues, rhythm & blues, or “rhumba boogie” as described in the album’s liner notes, there’s no denying that it’s entertaining as hell, regardless of whether it was Fess playing solo, backed by a small band such as on the tracks here from the Baton Rouge session (with Fess and Eaglin joined only by Will Harvey Jr. on bass and Shiba on drums), or along with a fuller band that included horns, as during the Memphis session. Of course there are plenty of Longhair originals and similar New Orleans type of numbers here such as the opening, whistle-driven “Mardi Gras in New Orleans”, “Tipitina”, “Jambalaya (On the Bayou)”,”She Ain’t Got No Hair”, “Rum and Coca-Cola” and “Sick and Tired”, along with several other Fats Domino songs, but the set also includes impressive takes from Fess on some blues, R&B and soul tracks including T-Bone Walker’s “Mean Old World”, Solomon Burke’s “Cry to Me”, Ivory Joe Hunter’s “Since I Met You Baby” and Big Jay McNeely’s “There Is Something On Your Mind”.

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Another Record Store Day First gem: check out this live acoustic set from Chicago jazz/soul/folk singer and guitarist Terry Callier

Posted on April 10, 2026 by Mike

It’s hard to believe it’s already that time of year, but Record Store Day 2026 (RSD) is right around the corner (Saturday, April 18). Here’s the second of several titles we’re highly recommending you seek out at your local vinyl store (you can read about the first one here).

Terry Callier at the Earl of Old Town (Time Traveler Recordings)

We don’t know that we ever heard Chicago guitarist and singer Terry Callier before this recently unearthed recording came our way, even with Callier having spent a portion of his musical career on the Cadet Records subsidiary of the same Chess Records label on which such blues greats as Muddy Waters, Willie Dixon, Howlin’ Wolf, Buddy Guy, and others all recorded, and with Callier also having been childhood friends with the likes of soul greats Curtis Mayfield and Jerry Butler (The Impressions) and jazz pianist Ramsey Lewis. 

In all fairness to us, most descriptions of Callier refer to him as a jazz, soul and/or folk artist so he wouldn’t necessarily have been someone who would have caught our largely blues-focused attention, although he did release more than a dozen albums in the decades before his death in 2012.

While tracks like “Blues”/”You Goin’ Miss Your Candyman” and “Hangman”/”Gallow’s Pole” off those albums certainly would have been enough to catch our ear had we ever heard them from Callier, we have to say that none of the other Callier albums to which we’ve listened after being amazed by this one come anywhere close to what you hear on this raw, previously unreleased live solo double LP recorded at Chicago’s Earl of Old Town folk club in 1967, just one year before the release of his debut album The New Folk Sound of Terry Callier (which was actually recorded three years prior to this performance but not released until 1968).

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Triple LP from blues legend Freddie King will have you Feeling Alright this Record Store Day

Posted on April 6, 2026 by Mike

It’s hard to believe it’s already that time of year, but Record Store Day 2026 is right around the corner (Saturday, April 18). Here’s the first of several titles we’re highly recommending you seek out at your local vinyl store.

Freddie King – Feeling Alright: The Complete 1975 Nancy Pulsations Concert (Elemental Music)

Just seeing that this is a previously unreleased 3-LP live recording from blues slinger Freddie King issued in cooperation with King’s estate is, frankly, enough for us to say go ahead and grab a copy of this limited edition while you can. Perusing the 16-song tracklist will only draw you further in, with plenty of familiar titles both from Freddie’s own catalog and regular repertoire (“Have You Ever Loved a Woman?”, “Sen-Sa-Shun”, “Going Down”, “Mojo Boogie”) and blues standards that include “Sweet Little Angel”, “Got My Mojo Working”, “The Things I Used to Do”, “Stormy Monday Blues”, “Sweet Home Chicago”,  “That’s All Right”, and “Messin’ with the Kid”.

For those needing a bit more convincing, we can assure you that hearing this set will only help confirm that this is one you’re going to want to add to your collection, regardless of how few or many other Freddie albums you might already own.

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Posthumous Mike Finnigan album is everything we hoped it would be, and more

Posted on March 15, 2026 by Mike

We’ve already told you about the first couple of singles off Mike Finnigan‘s eponymous posthumous album (Forty Below Records)–splendid takes on Curtis Salgado’s “20 Years of B.B. King” (featuring Joe Bonamassa on guitar) and Freddie King’s “My Credit Didn’t Go Through”–so we had a feeling that the rest of this album would be pretty special too. 

We’ve internally debated for decades what kind of songs we most like to hear Finnigan sing and play: we’d hear him do a slow blues/soul number like “Hard Times”, “Your Mind is on Vacation” or “I’ve Got News for You” and be convinced that we just heard Mike at his best, only to then hear him belting out something with a bit more tempo like “Can’t Stand It” or “Bad Blood” and think we could never possibly hear anything better from him, or anyone else, for that matter. Truth is, Finnigan did it all so damn well, seeming to give all he had on each and every song, and the good news is that you can hear it all here again on Mike’s final album (not to be confused with the first eponymous album of his career, a 1976 release from Warner Brothers Records), from slow blues numbers like B.B. King’s “Don’t Answer the Door” and the creeping “It Ain’t Fair” (Aretha Franklin) to groovers like the handclap-driven “She’s Not Just Another Woman” (8th Day) and “Let That Liar Alone” (The Staple Singers/Sister Rosetta Tharpe), with Mike’s son Kelly Finnigan joining on vocals and Curtis Salgado on harmonica on the latter.

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Friends from near and far show their love for UK blues-rocker Matt Long on new tribute album

Posted on February 28, 2026 by Mike

Today, we move from talking about a tribute album to a universally known bluesman who was around for a long time to a tribute album to a bluesman who wasn’t nearly as well known as he should have been during his far too short time on this earth, despite our own best efforts to help on that front by telling you about many of his band’s recordings. But we have no doubts that we would have seen and heard many more great things from UK singer and guitarist Matt Long had he the opportunity to live another six decades like the legendary subject of the last tribute we reviewed. 

While we can’t of course fairly compare Long (or anyone for that matter) with a world-renowned bluesman such as B.B. King, we can say that Long exhibited a far broader range of versatility in his music, with Long having fronted both the blues-rock outfit Catfish about which we’ve talked many times here (including the band’s EP tribute to King When B.B. Sings the Blues!) as well as the heavier-hitting The Revenant Ones through his years, both of which are represented in the songs selected by the guest artists for this tribute, entitled With a Little Help from My Friends – A Tribute to Matt Long.

Most of those artists are of course friends and fellow countrymen or women with whom Matt collaborated or otherwise shared a stage and/or competed for British Blues Awards through the years, or who performed at a series at benefit concerts for Matt’s medical care during his final year, including the likes of Dom Martin, Alice Armstrong, Elles Bailey, The Cinelli Brothers, Chantel MacGregor, Will Wilde, Katie Bradley, When Rivers Meet, and Brave Rival, among others. But Matt’s talents also of course caught the ears of several international bluesmen during his career, including Walter Trout and Joe Bonamassa, who both contribute guitar on different songs here, the only two tracks to feature Matt’s vocals (and let us tell you: it’s great to be able to hear Matt again!).

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The thrill lives on with star-studded Joe Bonamassa/Josh Smith-produced centennial tribute to the King of the Blues

Posted on February 18, 2026 by Mike

With much of the set having been released across five monthly EPs starting last fall, we’ve already told you, well, raved, about a good number of the tracks off the Joe Bonamassa/Josh Smith-produced B.B. King’s Blues Summit 100, including some from Buddy Guy, Bobby Rush, Derek Trucks and Susan Tedeschi with Michael McDonald, Kenny Wayne Shepherd, George Benson, Larry McCray, D.K. Harrell, Jimmie Vaughan, and more. But having the set’s full 32 tracks together in one place really helps show just how impressive and herculean of a project this was, recruiting 40+ guests–from legends like Guy, Rush, Benson, Vaughan, Chaka Khan, Eric Clapton, Ivan Neville and Paul Rodgers to rising stars such as Harrell, Christone “Kingfish” Ingram and Marcus King–to provide their own interpretations of tracks from throughout the King of the Blues’ career.

A fantastic tribute to one of the greatest bluesmen of all time, this is a collection any blues fan is definitely going to want to hear and own, regardless of whether you were a fan of B.B. King’s or are just looking for a good collection featuring dozens of the top artists in blues and blues-rock today, including a fair number of relative youngsters.

Bonamassa contributes guitar on every track, while co-producer Smith plays on all except one, with most of songs also incorporating horns in addition to the backing band of bass, drums, and keyboards/organ, including Reese Wynans on about a third of the tunes. 

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Lots of credit to be given on Mike Finnigan’s cover of Freddie King classic My Credit Didn’t Go Through

Posted on January 22, 2026 by Mike

In November, we told you about the first single off soul man/keyboardist Mike Finnigan‘s posthumous album, due out in late-March on Forty Below Records. Here’s a second track for you, a funky cover of Freddie King’s “My Credit Didn’t Go Through” and another barn burner of a tune that features Finnigan’s growling vocals and smoking work on organ, along with some soaring horns and backing vocals. 

We know there’s still much to be heard of this album, but, so far, it’s sounding a lot like it could be one of the best that 2026 has to offer!

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