Armed with arsenal of axes, Joe Bonamassa conquers monster tribute to “three Kings of the blues” on Live at the Greek Theatre

live-greek-vinyl-cover-300x300Although we’d of course heard of him by then, it wasn’t until quite a few years into blues-rocker Joe Bonamassa‘s career that he really caught our ear for the first time, when, in June 2010, we were fortunate enough to see him accompany Robert Randolph and his Family Band on a few songs during Eric Clapton’s Crossroads Guitar Festival, starting with “Further On Up the Road” before the group welcomed Italian guitarist Pino Daniele to the mix for a rousing take on Freddie King’s “Going Down”. Since then, we’ve covered much of what Joe has done, through varying degrees of bluesiness (including a revisiting of that latter tune as well as the instrumental “Hide Away” with fellow guitarists Derek Trucks and ZZ Top’s Billy Gibbons and Dusty Hill during King’s 2012 induction into the Rock & Roll Hall of Fame), but you can imagine our delight when we read that Joe would be following up his Muddy Wolf tribute at Red Rocks with a two-week tour and subsequent recording devoted entirely to the music of the “three Kings of the blues”: Albert King, Freddie King, and B.B. King.

We didn’t get to see any of the 2015 Three Kings tour shows live, but thankfully, Bonamassa and producer Kevin Shirley were shrewd enough to capture the last of these shows in full, with the end result being the exquisite double CD, double DVD/Blu-Ray, or 4-LP Live at the Greek Theatre (J&R Adventures).

Continue reading →

Posted in Albums | Tagged , , , , , , | Comments Off on Armed with arsenal of axes, Joe Bonamassa conquers monster tribute to “three Kings of the blues” on Live at the Greek Theatre

Mojo Risin’: Robert Finley evokes old soul on debut Age Don’t Mean a Thing

It doesn’t matter what other soul-blues albums you’ve heard this year; chances are, Robert Finley‘s debut Age Don’t Mean a Thing (Big Legal Mess Records) will have most, if not every single one of them, beat, with the 62-year-old Louisianan appearing well-suited to help fill the void left by the death of the great soul singer Otis Clay this past winter.

Never mind that music is a relatively recent full-time undertaking for Finley, following careers in the U.S. Army and as a carpenter. With his vision failing, Finley has enlisted the assistance of the Music Maker Relief Foundation in establishing a full-time musical career, which we can’t imagine being too much of a challenge, hearing the extraordinary vocal talent Finley possesses.

robertfinleyagedontmeanathing-300x300In addition, Finley manages to avoid a trap common to many modern soul albums, where tracks often seem to rely on the same formulas and tempos, resulting in a record that can make it difficult to maintain the average listener’s interest no matter how solid the vocals. Here, Finley presents a delightful variety of soul-based tracks, from the strong, Stax-like grooves of numbers such as the opening “I Just Want to Tell You” – a reworking of The Parliaments’ “I Wanna Testify” (George Clinton) – with its swinging horns, superb background singing, and Finley’s own strong, sturdy vocals (all of which you can hear for yourself below), and breezy, almost “Ya Ya”-ish “Let Me Be Your Everything”, to the funky James Brown-meets-Morris Day soul of “Come On”, to the powerful, swaying “It’s Too Late” that combines Finley’s coarse, passionate vocals with a theme of “It’s too late to tell you I love you, but it’s too soon to say good-bye” and the soulful, King Curtis-like closing dilemma of “Is It Possible to Love 2 People?”.

Continue reading →

Posted in Albums, Mojo Risin' | Tagged , , , , | Comments Off on Mojo Risin’: Robert Finley evokes old soul on debut Age Don’t Mean a Thing

Back into the Snake Pit with Chicago blues guitarist Harvey Mandel

A while back, we gave you this update on the great Chicago blues guitarist Harvey “The Snake” Mandel, who you may recall has played with and alongside such greats as John Mayall, Canned Heat, the Rolling Stones, Howlin’ Wolf, Michael Bloomfield, Muddy Waters, Charlie Musselwhite, Steve Miller, and Buddy Guy during his more than 50 year career, and was more recently a member of the blues supergroup Chicago Blues Reunion with fellow Windy City blues stalwarts Barry Goldberg, Nick Gravenites, and Corky Siegel.

Now, we’re pleased to report that Mandel will be back with a new studio album — his 15th — in November, featuring six new original songs plus two others (“Baby Batter” and “Before Six”) that Mandel previously recorded. Among the former is a swinging “Ode to B.B.” that’s currently available for listening on Spotify and iTunes, and the groove-filled title track “Snake Pit” that’s just as slithering and menacing as its title, in the vein of Jeff Beck, Steve Vai, and Joe Satriani, and that you can hear right here.

Continue reading →

Posted in Songs | Tagged | Comments Off on Back into the Snake Pit with Chicago blues guitarist Harvey Mandel

Big Head Blues Club returns with tribute to another blues great on Way Down Inside

Recently, we told you about the upcoming release from Big Head Todd & the Monsters’ bluesy side project – what you might call the Dr. Jekyll to their Monster persona – the Big Head Blues Club, a follow-up to the club’s 2011 Robert Johnson tribute album that, this time around, focuses on the music of one of the most prolific songwriters in the history of the blues in the great Willie Dixon.

Kicking off on a swinging, horns-laced “Hidden Charms” that nicely captures the song’s original magic, the band follows up with a quickened, keys-drenched and slightly funky take on “The Seventh Son”, sounding like they’ve been performing these songs on a nightly basis for years.

bhbc-album-front-300x300Though the Monsters seem to do just fine on their own, with lead singer Todd Park Mohr’s fluctuating voice working particularly well on songs like “Hidden Charms” and the closing, slow shuffling “Sittin’ and Cryin’ the Blues”, the addition of several special guests helps give further diversity and authenticity to the project, with Mud Morganfield (son of McKinley Morganfield, who most know by the stage name of Muddy Waters) lending his deep, very Muddy-ish vocals and terrific laugh on an upbeat “You Need Love” (from which the album’s title of Way Down Inside derives) that starts out creeping and then picks up to a rocking tempo, and a swaggering “I Want to Be Loved”, both also featuring Chicago bluesman Billy Branch on harmonica.

Continue reading →

Posted in Albums | Tagged , , , , | Comments Off on Big Head Blues Club returns with tribute to another blues great on Way Down Inside

Talking to Myself

Summer may officially be coming to a close, but the blues roll on with this latest edition of our BluesPowR Radio Hour, featuring new music from the likes of Joe Bonamassa, the Mike Wheeler Band, Gary Hoey, and Jane Lee Hooker; classic tracks from Big Mama Thornton, Walter “Shakey” Horton, and Sonny Rhodes; plus much more!

Playlist
Talking to Myself – Mike Wheeler Band (Turn Up!!)
Hurricane – Brothers Brown (Dusty Road)
Meet Me at the 10th Street Inn – Sonny Rhodes (Stony Plain 40 Years)
Walter “Shakey” Horton (w/ Hot Cottage) – Shakey’s Edmonton Blues (Stony Plain 40 Years)
Champagne and Reefer – Jane Lee Hooker (No B!)
Calamity Jane – Dylan Wickens & The Grand Naturals (Hi Lo-Fi)
What I’ve Known for a Very Long Time – Joe Bonamassa (Blues of Desperation)
Falling Down – Mighty Orq (Love in a Hurricane)
Down Home Shakedown – Big Mama Thornton (Blues Harp Women)
Back Up Against The Wall – Gary Hoey (Dust & Bones)
Like Flowers – Jeff Plankenhorn w/ Ruthie Foster (Soulslide)

Posted in BluesPowR Radio Hour | Tagged , , , , , , , , , , , | Comments Off on Talking to Myself

Mighty Sam McClain explores Time and Change on soulful posthumous release

Recently, we told you about a new CD/DVD featuring the late David “Honeyboy” Edwards. Here’s another terrific posthumous release, this from soul blues master Mighty Sam McClain, who you may recall passed away last summer at age 72.

mighty_sam_mcclain_time_and_change-300x262We really enjoyed McClain’s Too Much Jesus (Not Enough Whiskey) back in 2012, as did many others, judging by the awards nominations the album received (including Blues Music Award nods for soul blues male artist, soul blues album, and song, as well as a Blues Blast Music Award nomination for song), and this project – entitled Time and Change: Last Recordings (Kirkelig Kulturverksted) – may be every ounce as good, starting on the smoldering, delicately funky grooves of “Let’s Talk”, with its thick, creeping horns, rich guitar, and messages of “we got to love one another” and “don’t fight no more”, before moving through a delightful mix of soul, R&B, funk, jazz, and blues sounds.

Continue reading →

Posted in Albums | Tagged | Comments Off on Mighty Sam McClain explores Time and Change on soulful posthumous release

Harmonica player Bob Corritore, rising singer/guitarist Big Jon Atkinson host House Party at Big Jon’s

We’ve told you here before about some of the terrific collaborations Chicago-born harmonica player Bob Corritore has recorded in recent years, teaming with industry veterans such as Tail Dragger, Henry Gray, and John Primer, to name just a few. Though Corritore may have paired with someone slightly less known this time around in 27-year-old West Coast guitarist and singer Big Jon Atkinson, you’d never know it by listening House Party at Big Jon’s (Delta Groove Music), between Atkinson’s deep gravelly vocals that display a maturity decades beyond his years and the vintage equipment and techniques on which the album was recorded at, you guessed it, Big Jon’s home studio in San Diego.

Corritore_Atkinson_House_Party (300x270)One of the most solid sets of blues laid down in recent years, House Party has a slick, old-school Chicago sound – the kind of stuff we’ve grown all too accustomed to hearing only from veteran blues acts such as John Primer and Tail Dragger in recent years – that harkens back to the likes of Elmore James, J.B. Hutto, and Howling Wolf, with the thick, opening “Goin’ Back to Tennessee”, for example, sounding like a cross of James’ “One Way Out” and Wolf’s “Evil”. From simmering numbers such as “It Wasn’t Easy”, to the lively, swinging “Mad About It”, and the “Christo Redemptor”-like instrumental “El Centro”, these guys prove time and again that they can really deliver.

Continue reading →

Posted in Albums | Tagged , , , , , | Comments Off on Harmonica player Bob Corritore, rising singer/guitarist Big Jon Atkinson host House Party at Big Jon’s

First listen: Dipping into Cheese Finger Brown’s Low-Down People

Here’s one to help ease you into the weekend, the gritty, hypnotic title track from Dutch bluesman Cheese Finger (C.F.) Brown‘s upcoming Low-Down People (Humu Records) album that very much lives up to the description of Brown’s sound promised in his press materials: “a modern approach to country blues fused with distorted guitar boogie, influenced by North Mississippi Hill Country Blues greats such as R.L Burnside, as well as John Lee Hooker, Captain Beefheart and Guy Clark”.

Though his name might be a little on the, well, cheesy side, this track suggests that Brown’s music is something to take seriously. We look forward to hearing a bit more from this bluesman in the coming months.

Posted in Songs | Tagged | Comments Off on First listen: Dipping into Cheese Finger Brown’s Low-Down People

Final recording of David “Honeyboy” Edwards, new CD/DVD presents Mississippi bluesman tellin’ what he knew about the blues and some of its biggest legends

honeyboy_somethin_that_I_knowIt’s hard to believe that next week already marks five years since the passing of Delta bluesman David “Honeyboy” Edwards. But a new CD/DVD package of a 2010 show from Honeyboy, joined by longtime manager and harmonica player Michael Frank and guitarist Jeff Dale and his band The South Woodlawners, is sure to evoke fond memories of Honeyboy for those who ever had the pleasure of seeing him perform, as well as provide all blues fans a nice listen and look at Honeyboy from the final year of his life.

Recorded at Los Angeles’ G Spot, I’m Gonna Tell You Somethin’ That I Know (R.B.I. Media LLC – Pro Sho Bidness) captures a 95-year-old Honeyboy delivering the seated, down-home Delta blues of songs such as his own “Apron Strings” in addition to such classics as Robert Lockwood Jr.’s “Little Boy Blue”, Jimmy Rogers’ “That’s Alright”, Robert Petway’s “Catfish Blues”, James Oden’s “Goin’ Down Slow”, and Robert Johnson’s “Sweet Home Chicago”.

Most of the tracks tend to be similarly paced country blues numbers, with songs like “Catfish Blues” and “Apron Strings” serving as the album’s more uptempo offerings, but that doesn’t make this collection any less entertaining, as, for example, Honeyboy tears in on slide on the first of two takes on Rogers’ “That’s Alright”, presents some of our personal blues favorites in “Little Boy Blue”, “Goin’ Down Slow”, and “Catfish Blues”, and offers a patient, satisfying cover of Muddy Waters’ “Country Boy”.

IMG_0705 (180x143)While Honeyboy’s lyrics here aren’t always the most extensive or sophisticated you’ll have heard from him, repeating the same sole verse, for instance, numerous times on the opening cover of Howlin’ Wolf’s “Riding in the Moonlight” (here titled “Ride with Me Tonight”) and offering a total of just a verse and a half during a five-and-a-half-minute take of his own plucky “Apron Strings” (allowing us perhaps to focus more closely on his talents on guitar), it’s a joy to be able to watch and hear Honeyboy again, in what would be the Delta bluesman’s final time being filmed or recorded.

Continue reading →

Posted in Albums | Tagged , , , | Comments Off on Final recording of David “Honeyboy” Edwards, new CD/DVD presents Mississippi bluesman tellin’ what he knew about the blues and some of its biggest legends

Guest post: Buddy Guy – A Blues Experience Like No Other

UK writer/blogger Breton Towler offers these thoughts on a recent performance from one of blues’ greatest at the Birmingham Symphony Hall.

Courtesy: Eamonn Moore

Guy at Birmingham Symphony Hall; credit: Eamonn Moore

Seven times a Grammy award winner and an inductee of the Rock & Roll Hall of Fame. Yet he needs no introduction. Buddy Guy may have only just turned 80 years young, but when he attacks the fretboard of his beloved polka dot Stratocaster, the blues has never felt so alive.

Birmingham Symphony Hall was spellbound by one of the greatest axemen in history who shows no signs of slowing down. The untamed ferocious assault opening of “Damn Right I’ve Got The Blues” was a masterclass of raw exuberance and impeccable timing. Blessed with the soul and swagger of his world-class backing band, this tender menace poured out from his head down to his shoes.

Eric Clapton once called him “without a doubt the best guitar player alive”, but this wall of sound also served to showcase the supreme showmanship of this old-school bluesman.

Continue reading →

Posted in Shows | Tagged , | Comments Off on Guest post: Buddy Guy – A Blues Experience Like No Other