Blues Lyrics of the Week: Life by the Drop

“Up and down that road in our worn out shoes,
talkin’ ’bout good things, singin’ the blues.
You went your way, I stayed behind –
We both knew it was just a matter of time.

You’re livin’ a dream, wo, you on top,
My mind is achin’, Lord it won’t stop.
That’s what happens, livin’ life by the drop.”
– Life by the Drop, Doyle Bramhall

The meaning of this song’s lyrics has been much debated since recorded by the legendary Stevie Ray Vaughan, with most believing the song concerns an addiction of some type. Whether you interpret the lyrics – written by Stevie friend and accomplished Texas musician Doyle Bramhall, who also penned Stevie’s hit “Change It” – to be about an addiction to alcohol, drugs, or something else (the blues perhaps?), or more representative of the icicles melting from your gutter on days like today, I think most will at least agree that this is a truly great tune.

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Clapton plays the blues

In the days before my mp3 player was devoted almost exclusively to blues songs and artists, I spent much of my time listening to (and countless hours playing, on my campus radio station) what was already back then and is still referred to as “classic rock.” Like so many others, much of my initial exposure to the blues came through the music of several groups of British rockers, including one whose 2-disc The Blues album I can pretty much point to as being the crossroads of my musical interests, with me of course choosing the path of the blues, leading me deeper and deeper into the Delta and its music over the years.

So I had a feeling that Thursday night’s Eric Clapton show featuring Roger Daltrey at Pittsburgh’s Mellon Arena would be equally pleasing to both the young and old(er) me. And I’m glad to report these masters didn’t disappoint. Although neither of the bands played a particularly lengthy set (Daltrey clocked in at 45 minutes, while Clapton played an hour and a half), they did manage to pack in plenty of good stuff. Since this is a blues blog, I’ll focus mostly on the blues parts of the show in this posting, although it would be nearly impossible to not mention a few other highlights of the evening.

After opening to “I Can See for Miles,” Daltrey and his band went through only a few other songs before getting to the first blues of the night, Taj Mahal’s “Freedom Ride,” and then coming back to the blues a short time later with a nifty “I’m a Man/My Generation” medley. I’m not sure if it’s Daltrey’s younger band that helps to keep him on his toes or the other way around, but these guys put on a tight and energetic show, with the band doing a fine job of filling in where Daltrey’s vocals and playing may not be the same as say 40 years ago.

You knew it was going to be a good night for the blues when Clapton started his set (and indeed his North American tour) with two blues songs: “Going Down Slow,” followed by “Key to the Highway.” This blues-first approach seems to suit Eric well, as he did the same on his acoustic set, kicking off with “Driftin’ Blues” and “Nobody Knows You (When You’re Down and Out)” before moving into the unplugged version of “Running on Faith,” which will always hold a special meaning for me as one of the first songs to which my wife and I danced at our wedding. A few songs later, Clapton plugged back in for “Badge,” hitting “Little Queen of Spades” and “Before You Accuse Me” before wrapping up his set. Along the way, he played a nice variety of some of his other hits, from “Cocaine” and a slightly different (dare I say even more reggae?) version of  “I Shot the Sheriff” to “Bad Love” and “Rock N’ Roll Heart.”

It was a little disappointing to not see Clapton and Daltrey share the stage for at least one song, but I guess that’s one of the disadvantages of catching the first night of a tour. Clapton did come back out on stage for a one-song encore, a little hit you may have heard called “Crossroads.”

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In his Prime

Nice cover story on Chicago bluesman John Primer in the February edition of Living Blues magazine. Primer, who earned his chops playing with Muddy Waters, Junior Wells, and Magic Slim, has been busy in recent years, with his 2008 release All Original and teaming with Lurrie Bell, Billy Branch, and Billy Boy Arnold on last year’s acclaimed Chicago Blues: A Living History project.

By the way, as part of the magazine’s 40th anniversary celebration this year, Living Blues is taking a look back at one decade per issue (starting with the 1970s in the current issue), including photo layouts of covers and stories, as well as a few other nice features such as “Thirty of the very best blues albums” from the period. If you don’t already have one and you’re a fan of blues history, 2010 might be a good time to start a subscription to this publication.

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Blues Lyrics of the Week: Don’t Care How Great You Are…

“Don’t care how great you are,
Don’t care what you worth.
When it all ends up,
You got to go back to Mother Earth.”
– Mother Earth, Memphis Slim

Here’s an old Memphis Slim tune that’s also been done by Johnny Winter and others over the years, and received an even bluesier treatment by British jazz-blues guitarist Matt Schofield on his latest CD Heads, Tails & Aces.

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Blues Hall of Fame 2010, or Mr. Handy, where have you been?

It may not receive quite the same attention as an announcement from its rock counterpart, but the Blues Hall of Fame (managed by The Blues Foundation) this week announced its 2010 class of inductees, to be recognized during a May ceremony in Memphis.

Among the individuals being inducted this time around are W.C. Handy, Lonnie Brooks, Charlie Musselwhite, Bonnie Raitt, and Amos Milburn, who wrote several of the great blues drinking songs, including “One Scotch, One Bourbon, One Beer,” “Bad, Bad Whiskey,” “Let Me Go Home Whiskey,” and “Thinking and Drinking. ”

Music selected for induction encompasses both singles and albums, and includes such classics as:

  • “All Your Love (I Miss Loving)” by Otis Rush
  • “Fever” by Little Willie John
  • “Key to the Highway’ by Big Bill Broonzy
  • “Match Box Blues” by Blind Lemon Jefferson
  • “Spoonful” by Howlin’ Wolf
  • Strong Persuader by Robert Cray

It’s hard to believe that some of these individuals and records – particularly Handy as the recognized “Father of the Blues” – are only now being inducted to the Hall of Fame. I would have expected Handy to be inducted long ago, if not in the Hall’s inaugural year in 1980, then certainly at some point during the three decades that have since passed.

wc handy statueI guess one could argue that seeing the likes of Handy, “Key to the Highway,” and “Spoonful” just now being introduced to the Hall is a testament to the tremendous talent that has always and continues to drive the industry, along with the competitiveness of the induction process, and I’m certain that’s true to some degree (“Spoonful” may be one such example, since several other Willie Dixon-penned and/or Howlin’ Wolf-performed songs have been inducted previously). But 30 years still seems like an awfully long time for getting around to honoring one of the earliest and most revered names in the history of the blues, especially when there’s a statue of the man in your city’s park.

It’s good to see Mr. Handy and songs like “Key to the Highway” and “Match Box Blues” finally being recognized with this honor, and we offer our congratulations to Handy’s estate as well as each of the others being inducted in 2010!

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Blues Music Award acoustic spotlight: Samuel James

As I was casting my votes for this spring’s Blues Music Awards, I noted Samuel James among the nominees in both the acoustic artist and acoustic album categories. Life can be a bit tough for a man with two first names, so I figured the least I could do was give his latest album (provided me by his Northern Blues label) a listen.

samueljamesFor an acoustic project, For Rosa, Maeve and Noreen offers a pleasing variety of songs and does a remarkable job highlighting James’ diverse talents and well-written, sometimes clever, lyrics, best evidenced on songs such as “A Sugar Smallhouse Valentine” and the fishin’ diddy “I’ve Haddock Up to Here.” With a sound at times reminiscent of Eric Bibb, Guy Davis, Otis Taylor, and Keb’ Mo’, James proves himself quite capable both musically (in addition to the resonator, flamenco, and 12-string guitars, he also handles banjo, harmonica, piano, foot percussion, tambourine, and hand claps himself) and vocally, sounding just as good on quieter, more sensitive tunes such as “Rosa’s Sweet Lil’ Love Song” and accompanied only by his foot tapping on “Wooden Tombstone” as on the opening “Bigger, Blacker Ben” and the square dance tempo of “Miss Noreen.” Other highlights include “Cryin’ Blind,” the instrumental “Trouble on Congress Street Rag,” and “Path of Ashes,” the gospel tune that closes the album.

Not bad coming from a guy with two first names…

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Blues Lyrics of the Week: Presidents Day Edition

The blues have been around for a few years. So it shouldn’t come as much of a surprise that there have been several blues songs directed at commanders-in-chief or their political decision-making, from the generic “Mr. President” to “Eisenhower Blues” and “President Kennedy” to “Vietnam Blues.”

Probably one of the best-known blues tunes about presidents has more to do with their use on our currency than their actual presidencies or politics, and we can’t think of a more appropriate way to observe the holiday honoring our past national leaders than this one. Written by the late great Willie Dixon, its lyrics still hold true today:

“Hamilton on a ten can get you straight,
But Jackson on a twenty is really great.
And if you’re talkin’ about a poor man’s friend,
Grant will get you out of whatever you’re in.

Them dead presidents,
Them dead presidents,
Well, I ain’t broke,
but I’m badly bent.
Everybody loves them dead presidents.”
-Dead Presidents, Willie Dixon

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I Went Down to the Crossroads

CROSSROADS_tmobileWas pleased to see an announcement yesterday regarding Eric Clapton’s third Crossroads Guitar Festival, taking place this June at Chicago’s Toyota Park. I was fortunate enough to catch the first festival in Dallas in 2004, and it was a terrific show with about as top-notch talent as you can get in one place. You can of course watch portions of both the 2004 and 2007 shows on the Crossroads DVDs produced from the shows, but I can tell you there’s nothing quite like being there to see it for yourself.

This year’s lineup is another great one: in addition to Clapton himself, plenty of other legends will be on hand from the music world, including B.B. King, Buddy Guy, Steve Winwood, Jeff Beck, Hubert Sumlin, the Allman Brothers Band, ZZ Top, John Mayer, and Robert Randolph. While obviously not strictly a blues festival, the one-day show does offer its fair share of blues acts – joining those already mentioned will be Robert Cray, Keb’ Mo, Jimmie Vaughan, Gary Clark Jr., Sonny Landreth, and Joe Bonamassa, to name a few. As in years past, profits from the festival will benefit The Crossroads Centre in Antigua, a treatment and education facility for chemically dependent persons founded by Clapton.

Where will you be June 26, 2010?

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Blues Lyrics of the Week: Drowning on Dry Land

“You know my mother told me the story
About that lil’ dog that couldn’t see too well.
He was crossing a railroad track one day
When the train cut off a part of his tail.
He turned around but never looked up
Just to peep over the rail –
And she said he lost his whole head
Trying to find a little piece of tail.

That’s why I’m going down. My nose is in the sand.
A cloud of dust just came over me,
And now I think I’m drowning on dry land.”

I’ve liked this one ever since I saw Buddy Guy perform it at a Pittsburgh show a few years back. If you want to get a feel for what it’s like to see him do this one live, it’s among the DVD tracks on Buddy’s Can’t Quit the Blues box set, and also appears on Carlos Santana‘s Blues Live at Montreux DVD. Or you can give a listen to one of the numerous other versions of the song recorded through the years by the likes of Albert King, O.V. Wright, Roy Buchanan, Junior Parker, and Tab Benoit.

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Sharing the blues

One recent morning, I walked into my office to find a small stack of record albums sitting on my chair. Flipping through the pile, I discovered that it included original albums from some pretty good artists (Johnny Copeland, Slim Harpo, Lightnin’ Hopkins, Brownie McGhee and Sonny Terry, Fred McDowell, Leadbelly, and Hound Dog Taylor, among them), only one title of which was currently in my collection.

This might be a good place to point out that 1) my day job isn’t with a record or other music-related company, or any business in which it’s common for someone to leave a stack of records on someone else’s chair, and 2) in case you haven’t noticed, LPs haven’t been the medium of choice for music in some time. Even though record companies are beginning to offer limited pressings of more new albums and reissues, the majority of the music out there today is still of the CD format, making this mystery gift all that more, well, mysterious.

Upon some investigation, I learned that the records were left for me by a colleague from my department a few offices down the hall, with whom I had shared numerous conversations regarding music, only occasionally focused on the blues. Turns out he had a few blues records in his collection that he thought I might get more use out of than he does nowadays (either that, or his wife made him start to clean out his record collection – in which case, my wife thanks his.) Ironically, this guy wasn’t even aware of this blog at the time he gave me the records, although he certainly is now.

This occurrence was a good reminder that one of the best things about music can be sharing it with others. Most musicians and club owners certainly seem to feel this way, to do what they do on a daily, weekly, and monthly basis, as do blues societies and foundations all around the world, including the likes of the Blues Foundation, Music Maker Relief Foundation, Blue Shoe Project, and the aforementioned Soul Fixin’ Foundation, to name a few. For those of us who don’t make our livings in the music business, examples of this can range from enjoying the energy of a live show with 50 others in a local club or juke joint or with thousands of friends at a festival, to helping to spread the word about a hot new artist or recording you’ve just heard, as we here at the BluesPowR Blog like to do.

There are plenty of other ways you can “pay it forward” and help bring happiness to others through music, a few simple suggestions on which we offer below. The music you share doesn’t have to be blues, of course, although I’m sure that the artists and record execs who read this blog would appreciate it, but when you think about it, who doesn’t like music of some kind?

Consider giving CDs as gifts for co-workers at the office. The music doesn’t have to come from your personal collection, as was the case with my recent gift. For the holidays, there are a number of pretty good blues Christmas collections out there; for other times of the year, or if you’re not sure of what music the ones for whom you’re buying like or already might have, consider an iTunes card so they can download their own stuff, or a Borders, Barnes & Noble, or Amazon card so they can pick out/order their own CDs or MP3s.

If you have blues lovers for whom you shop each year, you might start buying now (the new CDs from Luther Allison and The Nighthawks out today would both make nice additions to almost anyone’s blues collection) and continue doing it throughout the year when you can more easily find the new releases in stores and online, and you’ll find yourself with a stocking pretty well stuffed by the time December rolls around.

Take a friend to a live show or festival. This can be a win-win-win for all involved: it’s a treat for both you and your friend, at the same time it helps to support hard-working artists. If you’re in the western Pennsylvania area, here’s a good calendar of shows to get you started on this one.

If these suggestions all sound a bit too rich for your blood, or if you’re looking for advice on the one thing you can and should do for yourself and any of your friends who also happen to be fans of the blues – at absolutely no cost – subscribe to our blog and we’ll gladly do some of the sharing for you!

About things comin’ our way…
Since we’re on the topic of gifts, now might be a good time to let you know that, as a music-related blog, we often receive new music and other materials from record companies and music promoters (and yes, sometimes co-workers) at minimal or no cost. While this certainly helps us to keep you informed of the latest happenings in the blues industry, the receipt of these materials in no way guarantees coverage on our blog/site or constitutes any form of pay-for-post or “blogola” arrangement between us and the provider.

Coverage on the BluesPowR Blog is entirely at the discretion of our staff based on an item’s relevance and interest to the BluesPowR community. In accordance with FTC blogging requirements, we will always disclose when we have been provided a promotional copy of material about which we are writing.

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