Blues guitarist and singer Larry McCray looks on the “Bright Side” with track originally written for Bobby “Blue” Bland

We’ve been a big fan of Michigan-raised blues guitarist Larry McCray ever since we first heard him play the Pittsburgh Blues Festival a decade and a half back — and then discovered that McCray was the first artist to record the Warren Haynes-penned anthem “Soulshine” that, a year following McCray’s version, would also show up on the Allman Brothers Band’s Where It All Begins album.

McCray has a new album coming out in mid-June, and recently released the second single from the project, a grooving, soulful track called “Bright Side” with an interesting history to go along with its smoking guitar, terrific backing vocals, and rich horns.  The song was originally written by the album’s co-producer (alongside Joe Bonamassa) and fellow guitarist Josh Smith and two others for Bobby “Blue” Bland (one of those two others was Michael Price, who also co-wrote such gems for Bland as “Ain’t No Love in the Heart of the City” and “I Wouldn’t Treat a Dog (The Way You Treated Me)”).

Chances are that Bland never had the opportunity to put the song to tape (as, listening to it, you can certainly envision Bland singing it), and so it was never released, at least until now, when Smith brought it to McCray knowing that McCray was the one who could do the track justice, with McCray’s husky, sometimes growling vocals even occasionally resembling those of Bland’s as McCray delivers such lyrics as “…cleaned out my strongbox, but I still got some ones/ took all the sweet rolls, and left me the crumbs/ well, that woman, she dragged me deep underground/ but the world is still turning and the sun’s beating down/ I’m just doing the best that I can (sometimes the world just don’t understand)/ I’m just doing the best that I can/ oh Lord, out here on the bright side”.

Give it a listen and you’ll understand why Smith says on social media that “It might be my favorite song I’ve ever written and my favorite song my brother @joebonamassa and I have produced”!

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Tune into the Weekend: Blind Boys of Alabama’s Joey Williams joins North Mississippi Allstars on soul-stirring single “Don’t Let the Devil Ride”

The North Mississippi Allstars have a new album coming in early June, but you don’t have–or want–to wait until then to take this one in: a simmering, soulful take on the oft-covered gospel blues classic “Don’t Let the Devil Ride” on which the band is joined by longtime Blind Boys of Alabama guitarist Joey Williams on guitar and vocals for an even more captivating experience, with Kashiah Hunter also guesting on steel guitar.

Here’s the official lyric video so you can sing along. You’re going to want to take a ride with the Allstars and their guests on this one (just make sure not to pick up any other passengers)!

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Jus’ Blues Music Foundation celebrates 25 years with essential anniversary album

We haven’t talked about the Jus’ Blues Music Foundation much here over the years, but their 25th anniversary seems as good a time as any to tell you about the organization’s good works, especially when that anniversary is accompanied by a compilation of some of the music the foundation is helping to preserve.

Jus` Blues describes themselves as “a 501(c)(3) non-profit organization whose mission is to preserve Blues heritage through cultural arts by nurturing the soul of the Blues with historical Blues education programming. We honor them by giving recognition to some of America’s finest African-American Blues & Soul music talents who are often left out of the more popular mainstream media and awards shows.”

Indeed, Jus’ Blues first caught our eye and ear a decade or two back through their annual music awards and conference honoring legendary Black blues artists and industry professionals for their outstanding accomplishments in the genre of blues and soul music. Even if you haven’t seen the organization’s name frequently here on these pages, you’ll likely recognize the names of many of the foundation’s past honorees from our musings, including Bobby “Blue” Bland, John Primer, Bob Stroger, Diunna Greenleaf, Jimmy Burns, John Lee Hooker Jr., Eric Gales, Grady Champion, Arthur Adams, and Anthony “Big A” Sherrod, along with such rising stars as D.K. Harrell, Stephen Hull, and Marquise Knox, just to name a few.

2025 Jus’ Blues award honorees to be recognized during a July 31st ceremony include, among others, Jimmy “Duck” Holmes, Gerald McClendon, Willie Buck, Johnny Rawls, Keith Johnson, and Sean “Mack” McDonald.

With 2025 marking the 25th anniversary of the awards, the organization has released a compilation album showcasing some of the artists Jus’ Blues has recognized over the past decades, with past honorees such as Bobby Rush, Lucky Peterson, Diunna Greenleaf, Jimmy Burns, and Trudy Lynn all generously donating music for the album. Four of the tracks here are previously unreleased, including a catchy, Mavis Staples-like “Turning the Same Ole Corners” from Trudy Lynn (backed, among others, by Lucky Peterson on guitar and B-3 organ) and the funky, closing “See My Way God” from Peterson himself, with Bobby Rush and Latimore each turning in new versions of classic songs recorded just for this project in the solo acoustic “Garbage Man” and swaying, scratchy-voiced “Let’s Straighten It Out”, respectively.

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Charlie Musselwhite blows up a Storm (Warning) on this single from upcoming album

Here’s one from veteran bluesman Charlie Musselwhite‘s soon-to-be-released (as in, this Friday) album Look Out Highway (Forty Below Records) that we like for several reasons: in addition to having a bit more fire vocally than many Musselwhite tracks, this number features a couple of great harmonica solos from Musselwhite and some ripping guitar from Matt Stubbs, all coming together to create a perfect storm of gritty blues!

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Catfish blues: final act from UK blues-rock band concludes masterful run

Recently, we spotlighted the video for the title track from the final album from UK blues-rockers Catfish, Time to Fly. Today, we’re here to tell you about the rest of that album, a bittersweet project that stands as another terrific recording for the band to be remembered after the tragic passing of its frontman Matt Long from cancer, as well as a majestic tribute to Matt.

Compiled by Catfish keyboardist/singer and Matt’s father Paul Long from a variety of sources, including a few tracks the band recorded before Matt was no longer able to play, demos from Matt’s computer with his guitar and vocals–to which the band then added bass, drums and keyboards–and a half-written song in a voice note on Matt’s phone, the album again captures the full range of the band’s capabilities, from the all-out rocking of the opening title track and other tunes such as the grunge-guitar soaked “Sick of It All” (one of two demos found on Matt’s computer) and a “Broken Halo” sung by Paul to such at least partly quiet, serene numbers as “Don’t Turn Around”, “Forevermore and Again” (both with Paul on lead vocals) and the closing “Say the Word” sung by Matt. While often poignant–particularly, for example, when hearing Paul sing lyrics such as “I know the times are getting harder, I know you should be moving on/ don’t turn around, I could never bear to see you cry”, hearing Matt and Paul sing together on the father/son duet of “Forevermore and Again”, and just generally listening to Matt’s vocals and playing throughout the album, knowing that we no longer will be able to hear his immense talents–much of the album is also triumphant, including, for example, Paul rocking out on both vocals and keys on “Broken Halo”, soaring backing vocals from Chloe Josephine, and Matt’s contributions on the title track and so many other places across the album.

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Check out this “Bad Boy” of a single from Doyle Bramhall II off upcoming Antone’s 50th anniversary box set

Late in April, New West Records announced the August release of a four LP, 41-track box set celebrating the 50th anniversary of Austin, Texas, blues music club Antone’s, a place that has helped launch or bolster the careers of many during the past decades, including the likes of Stevie Ray and Jimmie Vaughan, the Fabulous Thunderbirds, Doyle Bramhall and Doyle Bramhall II, and Gary Clark Jr., in addition to serving as an important stop for such established bluesmen as Muddy Waters, B.B. King, Otis Rush, Albert King, and numerous others. Due out August 22, Antone’s: 50 Years of the Blues features rare, out-of-print, and newly unearthed live and studio recordings from the Antone’s archives.

Here’s one of two advance tracks the label released from the set’s opening double LP The Last Real Texas Blues Album, which, according to the press announcement for the set, “includes 18 songs of new material from artists integral to the history of Antone’s — Jimmie Vaughan, The Fabulous Thunderbirds, Charlie Sexton, Ruthie Foster, Doyle Bramhall II, Bobby Rush, Derek O’Brien, C.J. Chenier + Muddy Waters’ guitarist John Primer and son Big Bill Morganfield — as well as its next generation leaders, Kam Franklin, Eve Monsees, McKinley James and more.”

We’ll tell you more about the rest of that opening LP and box set further on up the road but, in the meantime, enjoy this track from second generation bluesman Doyle Bramhall II, a gritty take on Eddie Taylor’s “Bad Boy” that’s vintage Bramhall, perhaps from a set with his band Smokestack, judging from Bramhall’s vocals and backing by J.J. Johnson on drums.

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“Grown Now”, D.K. Harrell is back with first single off Alligator Records debut

Here’s a real groover from rising star D.K. Harrell, the first single from Harrell’s debut album on Alligator Records coming this summer, Talkin’ Heavy. Accented by horns, with Harrell’s vocals and guitar-playing both in full force, “Grown Now” is one that’s only going to grow on you with each listen!

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Blues trio GA-20 is no stranger to our playlist with latest single “Stranger Blues” (and rest of their new EP!)

Anyone who may have thought that the departure of two-thirds of the original lineup of Boston blues trio GA-20 would set the Matt Stubbs-led band back would have been greatly mistaken, judging by the band’s new four-track EP (EP Volume 2), out this coming week.

With guitarist and vocalist Pat Faherty and drummer Tim Carman having moved on to form a new band, Canyon Lights, with a bit more of a rock flavor in 2023, guitarist Stubbs–who has spent the past decade and a half as a member of Charlie Musselwhite’s touring band in addition to founding GA-20 with Faherty in 2018–quickly found some more than suitable replacements in guitarist and vocalist Cody Nilsen and drummer Josh Kiggans, with the group sounding every bit as good as they did before, and Nilsen at times bringing a rawer, more soulful vocal a la more of a Sean Costello or Eddie 9V.

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Every day can sound just like Jazz Fest with new album from Jon Cleary & the Absolute Monster Gentlemen

We’re down to just two sleeps away from the start of the annual New Orleans Jazz Festival, so if you’re beginning to look ahead for some music to hold you over between your Jazz Festival weekends (besides listening to any sets you may have missed or want to hear again on WWOZ’s two-week archive of performances the station is broadcasting live from the festival), you need look no further than the latest album from Jon Cleary and his band of Absolute Monster Gentlemen–releasing this Friday on Well Kept Secret to coincide with the festival–a little treasure entitled The Bywater Sessions.

We’ve previewed a couple of numbers off this one for you already, including the breakneck-paced lead track “So Damn Good” and a similarly high-energy “Uptown Downtown“, so we had no doubts that this album was going to be a good one. Add such gems as the slow, funky “Just Kissed My Baby”, a “Tipitina”-like “Fessa Longhair Boogaloo” that features some of the best piano playing of the album, and the grooving closer “Unnecessarily Mercenary”, and you’ve got plenty of reasons already to pick this one up, with tracks like the swinging “Zulu Coconuts”, boogeying “Bin a Lil’ Minit” and bluesy, strolling “Lottie Mo” certainly not hurting either!

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Catfish releases title track video from band’s final album

Last August, we told you about a superb mini-album from UK blues-rockers Catfish. Sadly, the band’s very talented guitarist and singer Matt Long lost his battle with cancer just a few months later, in probably the most tragic loss to the blues world since that of another rising guitarist and singer, Sean Costello, in 2008.

In early February, Matt’s father and Catfish keyboardist Paul Long posted on social media that “There can be no Catfish without Matt…” and that the band would no longer be performing under the Catfish name, although the elder Long and two other remaining members of the band did want to continue to play together and had formed a new band called Burning Rope, with Alex Voysey joining them on guitar.

The other good news from Paul, in addition to us still being able to hear most of the band playing together in Burning Rope, was that Paul and the band had just finished a final album from Catfish to be titled Time to Fly. We’ll tell you more about that album soon but, in the meantime, here’s a great part-concert footage, part-animated video the band released today for the album’s hard-driving title track.

Fly on, Matt!

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