Blind Pig Records returns with smoking debuts from Jovin Webb and Sonny Gullage

We’re sure we weren’t the only ones disappointed to read the news of the sale of fabled blues record label Blind Pig Records in early 2015, having heard and purchased many of the label’s albums over the years from such artists as Muddy Waters, Otis Rush, Pinetop Perkins, George “Harmonica” Smith, Tommy Castro, Carey Bell, James Cotton, and others. The label has put out a few albums since, mostly early on, but has largely been quiet for much of the past decade. So we were of course delighted to see the label’s late 2023 announcement of its relaunch, and even more delighted to hear some of its new offerings, despite coming from names much less familiar than those listed above. That said, a listen to these albums tells us that both of these names will be quite a bit better known in the coming years.

Jovin Webb – Drifter
We haven’t watched American Idol since its earliest years, and generally don’t feel that we’ve missed too much as a result, especially when we read that a guy as talented as Jovin Webb was eliminated before making it to the top five back in 2020. Fortunately, Blind Pig was savvy enough to sign the Louisiana native late last year and wasted no time in recording and delivering his debut album Drifter, which shows that Webb’s performances on Idol, which included takes on the Allman Brothers Band’s “Whipping Post”, James Brown’s “It’s a Man’s Man’s Man’s World”, and Joe Cocker’s version of “With a Little Help From My Friends”, according to our research, were really only the tip of the iceberg in showcasing Webb’s immense talents.

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Joined by Delmark All-Stars, Willie Buck still sounding great on Live at Buddy Guy’s Legends

There’s not much more we can say about blues veteran Willie Buck than we did in this post on his previous album Willie Buck Way, except that Willie’s latest album Live at Buddy Guy’s Legends (Delmark Records) is the closest thing you can get to a live set of old-school Chicago blues today without incurring all of the costs associated with a trip to Chicago (unless Willie or one of the other very few remaining old-time Chicago players like John Primer happens to be coming through your area, which seems to be occurring less and less these days). A large part of that is, of course, Willie, who’s been, well, singing the blues in the classic Muddy Waters style for many decades now, having gotten his start performing with the likes of such greats as Waters, Howlin’ Wolf, Magic Sam, Buddy Guy, Little Walter, Eddie Taylor, Magic Slim, Byther Smith, and Johnny “Big Moose” Walker, among others.

But we also have to give loads of credit to his backing band on this performance, featuring a number of other well-known names in the blues, including Willie “The Touch” Hayes on drums on what would turn out to be his very last recording, Billy Flynn and Thaddeus Krolicki on guitar, Johnny Iguana on keys, Melvin Smith on bass, and Scott Dirks on harmonica. While Buck of course commands a large part of the focus throughout the album, you do get a great taste for the band itself on the bubbly, swinging instrumental introduction “Jumping”, with lots more terrific harmonica, keyboard, and guitar parts over the course of the following nine songs, as Hayes and Smith expertly hold down the rhythm.

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UK blues band Catfish offers stunning mini-album amid break in touring

We’ve talked here quite a bit before about the extremely talented father/son duo Paul (keyboards and vocals) and Matt (guitar and vocals) Long and their colleagues in the UK blues rock band Catfish. While the band is currently taking a break in touring as Matt continues treatment for cancer, they aren’t doing it quietly, having just released a five-track mini-album called London that packs a brilliantly powerful punch and nicely represents the band’s diverse range.

On one end of that spectrum you’ll find the soft, sentimental solo piano ballad “Days Long Gone” from Paul, one of a trio of previously unrecorded tracks. The opening title track also starts as a quiet piano ballad before flowing background vocals from two members of Brave Rival (with whom Catfish previously collaborated on a few singles, including a cover of Stephen Stills’ “Love the One You’re With”) and a gorgeous guitar solo from Matt lift the song to Pink Floydian heights.

Falling in the middle of the range is the beautiful, at first airy, then soaring, instrumental “Ethereal,” written by Matt while at school some years back but never before recorded by the band.

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A bit more on that Three Kings tribute…

Here’s a little videographic evidence of the show we talked about in our last post, a tribute to the Three Kings of the Blues presented by Albert Castiglia, D.K. Harrell and Chris Cain at the recent Heritage Music BluesFest.

These are the first and final songs from the set: Castiglia kicking things off with Albert King’s “Don’t Burn Down the Bridge” and Harrell leading the way on the encore of “Why I Sing the Blues.” If you like what you see and hear here, which we’re betting you will, you can watch everything that took place in between (filmed from right next to our own vantage point of front center stage) in all of its glory on 1AnitrasDance‘s YouTube channel (where you can also find a slew of other past blues shows!)

Even just playing back these videos, we think you’ll be able to understand why we’ve said (and probably will long continue to say) that this show was one of the best we’ve ever seen! Enjoy; we know we did!

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Albert Castiglia, Chris Cain & D.K. Harrell pay tribute to Three Kings of the Blues during Heritage Music BluesFest

It’s been a minute since we wrote about any live shows here, but we would be remiss if we didn’t tell you about this one to be on the lookout for. This weekend, we got the chance to spend a bit of our Saturday at the Heritage Music Bluesfest in Wheeling, WV, watching and listening to the likes of pianist and singer Eden Brent and guitarists/singers Matt Schofield and Selwyn Birchwood and their bands.

Matt Schofield

It was particularly great to catch Schofield again after a number of years and hear such favorites as “Don’t Know What I’d Do,” “Live Wire,” “Where Do I Have to Stand,” and “Black Cat Bone,” as well as get a preview of his upcoming album in the slow, smoldering “Measure of a Man,” and also see his band joined by Christine Tambakis on vocals for “Little by Little,” “Dr. Feelgood” and the smashing encore of “Them Changes.”

But the biggest highlight of the day was the closing set, a tribute to the Three Kings of the blues from Albert Castiglia, Chris Cain, and D.K. Harrell being performed for the very first time, with the trio of bluesmen from across the generations taking turns leading on songs from the great B.B., Albert, and Freddie King.

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Tune into the Weekend: Everybody Needs Some Blues Like This to Love

Speaking of tributes (as we were in our previous post regarding Misty Blues’ upcoming tribute album to Odetta), here’s one from a recently released Blues Brothers tribute album from another band with which we weren’t familiar until now: the B. Christopher Band.

You’ll hear a number of your Blues Brothers favorites on the band’s 106 Miles to Chicago (a title inspired by a famous line from the movie where Elwood says “It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses”), from the stop-starting, attention-getting “Hey Bartender” that opens the album to the lively instrumental “I Can’t Turn You Loose” and the trudging “She Caught the Katy,” filled here with Sonny Landreth-like slide guitar licks from Christopher and thick harp from guest Studebaker John. As big Spencer Davis Band fans, it wasn’t easy for us to choose to highlight anything over the full-throttle “Gimme Some Lovin'” (a testament to just how good the track we chose is), but the addition of a smoking slide guitar solo on top of the swinging horns and rich background vocals you expect on the song helped seal the deal on our spotlighting this one, the band’s take on the Blues Brothers’ own high energy version of Solomon Burke’s “Everybody Needs Somebody to Love”…

“Hit it!”*

If you’re looking for more reason to check this album out, we can give you several, in the form of some well-known guests: in addition to the aforementioned Studebaker John, Bruce Katz plays piano and Anton Fig, drums, on all of the tracks, with original Blues Brothers Band member Tom “Bones” Malone joining the horn section on “Gimme Some Lovin'”.

Though certainly entertaining, we recognize that Blues Brothers music isn’t always the most respected of material. But the band’s performance here, which they pretty much nail, makes them plenty deserving of a closer listen. So we checked out a couple of their other recordings as well, and were equally, if not even more, impressed with albums such as their Snapshots from the Second Floor and Two Rivers Back, which at times offered shades of sounds like those from the likes of Buddy Guy, Magic Slim, and Albert Castiglia.

All of which is to say, with just seven tracks on 106 Miles to Chicago, we really wouldn’t mind them getting the band back together for a sequel!

*(Jake’s response to Elwood’s 106 miles line, for those who may not be familiar with the movie)

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“Hold On” for this powerful take on Odetta classic from Misty Blues

We probably haven’t paid as much attention to the Massachusetts band Misty Blues in recent years as we should have, but that doesn’t mean we need to keep living with that mistake! Here’s the latest single from the band from their upcoming album I’m Too Old for Games, the second in a series of recordings of live tributes to folk and blues great Odetta.

Although always a powerful song, the band takes it to a whole ‘nother level here, with vocalist Gina Coleman digging deep in the gravel almost from the start, balanced by some delicate violin, piano, guitar and sax from her colleagues. 

We can’t blame you if you find yourself unable to hold off in tracking down more music from the band after hearing this one! Although the new album, which will include such other gems as “Weepin’ Willow Blues” and “Alabama Bound,” isn’t due out until early next month, you can at least check out the band’s first live tribute album to Odetta, Tell Me Who You Are, along with more than a dozen of other albums in the meantime!

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Again this Fourth, KBOO radio to bring Waterfront Blues Festival to the masses

If you’re looking to add a bit more blues to the red, white and blue of your Independence Day and can’t swing a trip to Portland, Oregon to be there in person, might we suggest pointing your browser to KBOO radio’s website, where they’ll once again be broadcasting live from several stages of Portland’s Waterfront Blues Festival? The festival takes place annually on and around the July 4th holiday, with this year’s edition set to run from Thursday the 4th through Sunday the 7th.

Artist permitting, we’ll be able to hear such acts this time around as Bobby Rush, Ben Harper, Lucinda Williams, Curtis Salgado, Jackie Venson, Chris O’Leary, Igor Prado, Jubu Smith, and many more.

And if you want to check out some of the acts from the festival’s previous years dating back to 2014, visit the Waterfront Blues Festival program page on KBOO’s site, a virtual goldmine where you’ll find historical sets from such artists as Shemekia Copeland and Ruthie Foster, GA-20, Robert Randolph, Johnny Rawls, Christone Kingfish Ingram, MonkeyJunk, Canned Heat, Booker T, Eric Gales, the Big Head Blues Club, Fantastic Negrito, Elvin Bishop, Los Lonely Boys, the Phantom Blues Band, and a ton of others, including regular or annual appearances from locals such as Salgado and Kevin Selfe.

Thanks to KBOO for continuing to bring us what they can of this terrific festival each year. And happy listening (and Independence Day) to you! 

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Mighty as ever, Mo Rodgers shows Mo still knows soul on Memphis excursion

If you’re going to use a superlative like “mighty” in your name, you’d better be able to back that claim up if you want to be taken seriously, especially over the course of a number of decades. We’re not sure when exactly Maurice Rodgers adopted the moniker of “Mighty Mo” Rodgers, but his own recording career since 1999 has certainly proven it to be more than just hyperbole. And that’s on top of the things he’d done earlier in his career, including playing with the likes of T-Bone Walker, Albert Collins, Bobby “Blue” Bland, and Jimmy Reed, and producing, playing on, and contributing songs to Sonny Terry and Brownie McGhee’s Sonny & Brownie album, among them, the still powerful “The Battle is Over (But the War Goes On)” that has since also been covered by the likes of Levon Helm, Shemekia Copeland, Sean Costello (our favorite version, at least until Mo himself records it!), and Oliver Wood.

Rodgers describes his latest album, Memphis Callin’: Soul Music & the American Dream (Drinking Gourd Records), as his “‘back to the future’ musical soul journey” and, in some ways, that’s exactly what it is, featuring four songs that Rodgers recorded back in the late 1970s with Booker T. and the MGs (at the time, Steve Cropper, Donald “Duck” Dunn and Willie Hall) in Hollywood after Booker heard Rodgers singing one of the songs, this album’s closing “Heart Be Still”, an extremely soulful, Ray Charles-like solo number with Rodgers on piano, and insisted they go into the studio to cut a record.

As Rodgers acknowledges in the album’s notes, that record deal never came about, with the studio tapes eventually lost. If it weren’t for a cassette copy of these songs, the world might never have heard the pure magic that transpired in that studio, with the tracks that Rodgers and the MGs recorded back then still sounding great today and pairing up quite nicely next to the album’s more recent songs, collectively honoring the soul music legacy.

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Tune into the Weekend: Bernard Allison carries on father Luther’s Blues on latest offering

The late, great Luther Allison has long been one of our very favorite blues artists, and we’ve talked on these pages many times through the years about his son Bernard Allison being one of several second-generation blues musicians (along with the likes of Shemekia Copeland, Mud and Big Bill Morganfield, Lurrie Bell, and Zakiya Hooker) helping to carry on the legacies of their fathers. So what’s not to like about Bernard’s latest offering, on which he revisits some of the songs composed by his father that he’s covered on his own recordings throughout the past decades? From the start of his musical career, Bernard vowed always to include at least one of his father’s songs on each of his albums (something others like Shemekia Copeland have also tried to do), which has given him much from which to choose in compiling this stellar collection entitled Luther’s Blues (Ruf Records).

We’re giving you two slightly different tastes from the album below: first, the quieter yet still powerful side of Luther’s, and now Bernard’s, work in a swaying, jazzed-up take on “Serious,” one of several tracks on which Bernard incorporates some growling vocals not just reminiscent of, but that may actually surpass, if you can believe it, those of his father’s, and then, second, the swinging “Change Your Way of Living” that, with its barrelhouse piano, thick organ, and stinging guitar, is about as complete a track as for which you can ask, just as you could also say about this compilation.

If you like what you hear on either or both counts, you’ll be pleased to know that there’s plenty more of each of these ends of the spectrum across the 20 tracks of this 2-CD set, which the younger Allison handpicked and were brilliantly remastered by Pauler Acoustics (such that you wouldn’t even realize that they came from different projects over a three-decade period).

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