Book of musician photos brings showtime from the stage to the page

With as many good CDs as we receive for review, it can be a real challenge to find the time to write about anything other than the music itself, which is why it’s taken us a bit longer than it should have to tell you about this book of musician portraits shot over the past decade by European photographer Beate Sandor.

showtime: Kings & Queens from A to Z contains images of more than 120 mostly blues artists captured during performances that took place from Vancouver, British Columbia, to Chicago, New Orleans, and Memphis, to Tampa, to Switzerland, France, and Sandor’s hometown of Vienna, Austria. Having been taken between 2004 and 2014, the book of course includes photos of many musicians who are no longer with us, including, for example, B.B. King, David Honeyboy Edwards, Koko Taylor, Etta James, Allen Toussaint, Percy Sledge, Michael Burks, James Brown, Willie Kent, Chuck Brown, Solomon Burke, Sharon Jones, and Marva Wright, which alone makes this a worthwhile volume for any true blues fan’s coffee table.

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Mistreated Blues

“If you’ve ever been mistreated, you know just what I’m talkin’ about” with this latest edition of our BluesPowR Radio Hour, featuring double shots of both Taj Mahal and horn player Nancy Wright, as well as tracks from John Mayall, Ben Poole, Johnny Nicholas, and 2016 International Blues Challenge finalists Sonny Moorman and Trey Johnson & Jason Willmon. And by that, we mean we let the music itself do the talkin’, with another talk-free episode. Hope you enjoy!

Playlist
Blues for the Westside – Nancy Wright w/ Joe Louis Walker (Playdate!)
I Got What It Takes – Nancy Wright w/ Tommy Castro (Playdate!)
Stop That Grinning – Sammy Eubanks (Sugar Me)
Fishin’ Blues – Taj Mahal (Labor of Love)
Mistreated Blues – Taj Mahal w/ John Dee Holeman (Labor of Love)
It’s Hard Going Up – John Mayall (Talk About That)
You Make All My Blues Come True – Sonny Moorman (International Blues Challenge #32)
When the Money Runs Out – Trey Johnson & Jason Willmon (International Blues Challenge #32)
Wise Man – Ally Venable Band (No Glass Shoes)
Stay At Mine – Ben Poole (Time Has Come)
Kid Man Blues – Johnny Nicholas (Fresh Air)

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Tedeschi Trucks Band, Curtis Salgado big winners at last night’s Blues Music Awards

The annual Blues Music Awards took place in Memphis last night, with the Tedeschi Trucks Band and soul man Curtis Salgado walking away as the night’s biggest winners with three awards each. Tedeschi Trucks won for both band and rock blues album (Let Me Get By) while lead singer/guitarist Susan Tedeschi took home the prize for contemporary blues female artist; Salgado earned nods for soul blues male artist, soul blues album (The Beautiful Lowdown) and song (“Walk a Mile in My Blues”).

Bobby Rush won awards for two different albums, with his Porcupine Meat taking the album of the year honors and Chicken Heads: A 50-Year History of Bobby Rush being named historical album. Joe Bonamassa and Kenny Neal both also received multiple awards on the night, Bonamassa winning in the guitarist and B.B. King Entertainer of the year categories and Neal capturing the contemporary album (Blood Line) and contemporary male artist honors.

In other album categories, Lurrie Bell‘s Can’t Shake This Feeling was named best traditional blues album, and Jonn Del Toro Richardson‘s Tengo Blues received the award for best emerging artist album.

Mavis Staples won in the soul blues female artist category, Diunna Greenleaf for traditional blues female (Koko Taylor Award), Bob Margolin for traditional blues male artist, and Kim Wilson for harmonica.

The complete list of winners can be viewed on the Blues Foundation’s website.

Congratulations to the winners, as well as to all who were nominated!

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John Primer, Bob Corritore celebrate latest album with Rhythm Room release party

Even those of us seemingly afflicted by “Born Under a Bad Sign” syndrome (you know, where “if it wasn’t bad luck, [we] wouldn’t have no luck at all”) can experience a small stroke of good fortune every once in a while, such as our needing to be in Phoenix a few weekends back for a work meeting and discovering that guitarist John Primer and harmonica player Bob Corritore — who we would later learn first met one another back in the 1970s when Corritore went to see a Primer-supported Junior Wells play — happened to be performing at Corritore’s local blues club The Rhythm Room in conjunction with the pair’s sophomore album Ain’t Nothing You Can Do!, about which we told you recently.

Having previously seen these two play together (along with a stageful of other greats including Bob Margolin, Bob Stroger, and the late pianist David Maxwell) during a Muddy Waters tribute show at 2014’s Project Blues fundraiser, and enthusiastically now reviewed both of their joint albums, we knew this was a show for which it would be well worth flagging a ride to the club. And we weren’t the only ones, with The Rhythm Room as lively and packed as we’ve seen it in our multiple visits. While the crowd on the dance floor didn’t allow us to get as many pictures of the band as we might have liked, we were able to snap a few decent shots throughout the evening, and the music, of course, was delightful, with Primer and Corritore hitting on not only a few numbers (“Elevate Me Mama”, “Hold Me in Your Arms”, “Gambling Blues”, and “Ain’t Nothing You Can Do”) from the latest album, but a slew of other blues standards from such masters as Primer’s one-time bandleaders Muddy Waters and Magic Slim, as well as Sonny Boy Williamson, Freddie King, B.B. King, and others, including tracks like “Young Fashioned Ways”, “You Don’t Have to Go”, a “Close to You” on which Primer stepped from the stage to get close to the audience, “Every Day I Have the Blues”, “Help Me, Baby (I Can’t Do It All By Myself)”, “I Wonder Why (My Baby Don’t Treat Me Right)”, a slow, R&Bish “Help Me Through the Day”, “Love Strikes Like Lightning”, and “Bad Luck (Falling Down Like Rain)”.

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Taj Mahal, Keb’ Mo’ take blues “All Around the World” with TajMo

We’ve been fortunate to be able to tell you about several pretty terrific blues collaborations in recent weeks: first, a project reuniting guitarist John Primer and harmonica player Bob Corritore, and then a soulful recording from new friends Monster Mike Welch and Mike Ledbetter. But perhaps the most highly anticipated pairing of the spring has been that of accomplished singers and multi-instrumentalists Taj Mahal and Keb’ Mo’ which, similar to Ledbetter and Welch, may have been helped along by an on-stage performance, in this case, a short set at the 2013 Crossroads Blues Festival at New York’s Madison Square Garden, during which the duo presented covers of the blues classics “Walking Blues”, “Diving Duck Blues” and “That’s Alright”.

While the resulting recording does see the multi-generational pair (who’ve since adopted the nickname of TajMo for their collaborative work) revisiting one of those songs — a slow, acoustic “Diving Duck Blues” (Sleepy John Estes) that’s so stripped down with just the duo’s guitars and vocals that you can sometimes hear Mahal breathing — as well as a few other bluesy tracks in the pleading opening original “Don’t Leave Me Here” and the bouncy country blues of “She Knows How to Rock Me” (Piano Red) that follows, TajMo (Concord Records) also offers up a number of very pleasant surprises. That includes terrific covers of both The Who’s “Squeeze Box” and John Mayer’s “Waiting on the World to Change”, along with the catchy, memorable originals “All Around the World” and “Soul”.

Here’s a closer look at those half-dozen songs as well as the handful of others that make up this superb 11-track collection, which was self-produced by these two bluesmen who have long admired and influenced each other’s music.

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Michael Ledbetter, Monster Mike Welch in the right place with Right Place, Right Time

Last week, we told you about the latest collaboration between blues guitarist John Primer and harmonica player Bob Corritore, a splendid little project from Delta Groove Music called Ain’t Nothing You Can Do! While those two blues veterans have the advantage of having worked and played together on several occasions, including a previous release in 2013’s Knockin’ Around These Blues, the friendship between this next pair of collaborators is a much more recent one, starting with a shared number during last summer’s Chicago Blues Festival tribute to legendary blues guitarist Otis Rush.

It was here that guitarist Monster Mike Welch (Sugar Ray and the Bluetones) and vocalist and Lead Belly descendant Mike Ledbetter (Nick Moss Band) delivered their first soulful performance together in the form of Rush’s “Right Place, Wrong Time”, and for those in attendance or who have since seen the video of that song (which can you watch below), it was clear that there was a rare bit of chemistry here. Although that particular number curiously wasn’t revisited on this resulting collaboration between Welch and Ledbetter, the soundtrack to their initial encounter obviously hasn’t been forgotten, serving as the inspiration for the title of what we hope is just the first of many studio projects between the two, in Right Place, Right Time, another gem from the good folks at Delta Groove Music.

The album does, however, include a cover of another Rush tune, in the tough, slow blues of “I Can’t Stop Baby” — essentially a Willie Dixon reworking of his “I Can’t Quit You Baby” with a different set of lyrics — that shows the full range of Ledbetter’s voice, lacing the deep grinding delivery of lyrics like “I’d rather eat deadly poison, baby/ I’d rather jump from the Empire State/ than to think about some other man/ snorin’ in my baby’s face” with passionate falsetto croons, as well as a somewhat Rush-sounding Ledbetter original in “Can’t Sit Down”.

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Blues vets Primer, Corritore reunite for Ain’t Nothing You Can Do!

Despite the current political mood, this spring seems to be one of much collaboration in the blues music world, with new joint projects out or on the way from the likes of Taj Mahal and Keb’ Mo’, Charlie Musselwhite and Ben Harper, Guy Davis and Fabrizio Poggi, and Michael Ledbetter and Monster Mike Welch, to name a few. We’ll have more for you on some of those other projects in the weeks ahead, but thought we’d get things started with a reunion of two bluesmen we last heard Knockin’ Around These Blues together back in 2013, in guitarist John Primer (Muddy Waters Band) and harmonica ace Bob Corritore, who’s really banged out some terrific solo and duo albums in recent years, collaborating, for example, on releases with the likes of youngblood guitarist Big Jon Atkinson, veteran pianist Henry Gray, and longtime vocalist friend Tail Dragger.

So it may not come as a big surprise that Ain’t Nothing You Can Do! (Delta Groove Music) also features a few other guest appearances. That includes both Atkinson and Gray on songs such as the swinging Chicago sound of “Hold Me in Your Arms” (Snooky Pryor) and a pair of Albert King numbers (a shuffling, almost “Crossroads”-like “For the Love of a Woman” and the gritty, steady-grooving title track), while the late Barrelhouse Chuck rides the keys on the remainder of the tracks, all of which are simply delightful and together help make for one of the most entertaining and authentic modern Chicago blues sessions you’ll have the pleasure of hearing, from the slunking instrumental original “Harmonica Boogaloo” and “Dust My Broom”-ish slide guitar riffs of “May I Have a Talk with You” (Howlin’ Wolf) to the opening, energetic “Poor Man Blues” and slow deep blues of the closing “When I Leave Home” with its soulful, B.B. King-style guitar licks, plaintive harmonica, and some fine playing from Barrelhouse Chuck, both Primer originals.

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Blues, Whiskey & Wimmen: John Lee Hooker centennial collection assembles some of bluesman’s finest

When it comes to music compilations, phrases like “finest” and “the very best of” tend to leave a good deal of room for debate: no matter how great a collection may be, there are always going to be at least a few other songs some will argue should have been included, especially when you’re talking about a blues legend like John Lee Hooker. Sure enough, many of the songs you’ll hear on Whiskey & Wimmen: John Lee Hooker’s Finest (Vee-Jay Records) can be found on earlier compilations of the bluesman’s work, but we aren’t about to begin comparing its track listing with those already out there, choosing instead to appreciate this one — celebrating the 100-year anniversary of Hooker’s birth near Clarksdale, Mississippi — entirely on its own merits.

Truth be told, Whiskey & Wimmen is a damn fine collection, spanning a decade of the Rock and Blues Hall of Famer’s career across several labels and styles, from the machismo of tracks like the groove-laden, gruff-vocaled “Boom Boom” that opens the set with a boom, the chugging “Big Legs, Tight Skirt”, and the shuffling “Dimples”, to crawling numbers like “I’m in the Mood”, “Whiskey and Wimmen” (“almost wrecked my life”), and a short but “hard times”-filled “No Shoes” on which Hooker sings of “no food on my table, and no shoes to go on my feet”, to the soulful, swaying “Frisco Blues” with Motown’s Mary Wilson & the Andantes providing harmony vocals — many employing the driving boogie beat that helped make Hooker famous.

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R.I.P., guitarist and singer Lonnie Brooks

The music world lost another true father of the blues this weekend with the passing of Chicago blues guitarist Lonnie Brooks (born Lee Baker, Jr.). We had the pleasure of seeing Lonnie – whose most recognizable songs included the likes of “Don’t Take Advantage of Me”, “Two Headed Man”, “Eyeballin'”, “You Know What My Body Needs”, and “Cold Lonely Nights” along with other gems such as “Trading Post” and “I Want All My Money Back” – and his sons Ronnie and Wayne Baker Brooks at the Heritage Blues Music Fest back in 2012, where we snapped these photos, one of which may look somewhat familiar to you as the image that appears at the top of our website, capturing Brooks and his sons playing each other’s guitars.

Here’s a little something else to help remember Brooks by: a classic cut of his “Two Headed Man” off Alligator Records’ Living Chicago Blues series. This one’s audio-only, so just sit back, close your eyes, and let these fine blues in, as you appreciate the talent that was Mr. Lonnie Brooks.

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Tedeschi Trucks Band keeps on growing with Live from the Fox Oakland

By now, we probably don’t need to tell you how terrific the Tedeschi Trucks Band is. If you’ve heard any of the band’s three studio albums, you’re already aware of just how nicely the sounds of this now-dozen member ensemble meld, whether they’re belting out an intriguing original or a creative interpretation on such classics as Joe Cocker’s “Space Captain” or Stevie Wonder’s “Uptight”. And if you’ve heard their first live release Everybody’s Talkin’ or ever had the good fortune of witnessing the band perform, you’ll of course be familiar with how much more captivating the band led by singer/guitarist Susan Tedeschi and her guitar-slinging husband Derek Trucks (Allman Brothers Band, Eric Clapton) can be, given the opportunity to stretch their talents even further in time and direction.

So chances are that we needn’t spend a lot of time convincing you that the band’s newest album Live from the Fox Oakland (Fantasy Records) is also well worth a listen, featuring tracks from their latest studio project Let Me Get By as well as covers of songs from Leonard Cohen (the slow, soulful “Bird on the Wire”), the Beatles (the quiet Indian strains of “Within In, Without You”), Derek and the Dominos (a rootsy, 10-minute “Keep on Growing”), Miles Davis (a punchy, funky instrumental “Ali” that of course makes good use of horns in addition to guitar and drums), and blues masters such as Bobby “Blue” Bland (a soulfully passionate “I Pity the Fool” that finds Tedeschi digging in with tough, gritty vocals that would make the late Bland proud, buoyed further by some nice horns and guitar responses) and Sleepy John Estes (a shining, 10-minute “Leavin’ Trunk” that features some Taj Mahal-ish vocals from Mike Mattison and is soaked in funky grooves and searing guitar).

2012 Chesapeake Bay Blues Festival

Recorded on a single night in early September 2016, the live double album (which is also available on DVD with just a few changes in tracks, swapping out four of the songs found on the CD for two additional covers, in George Jones’ “Color of the Blues” and Bob Dylan’s “You Ain’t Going Nowhere”) captures the band’s latest incarnation, still featuring Tedeschi on lead vocals and guitar, Trucks on guitar, Kofi Burbridge on keyboards, Tyler Greenwell and J.J. Johnson on drums, Mattison on backing and occasional lead vocals, Mark Rivers on backing vocals, and Kebbi Williams on sax, along with several new members since TTB’s previous live album in Tim Lefebvre on bass guitar, Alecia Chakour on backing vocals, Elizabeth Lea on trombone, and Ephraim Owens on trumpet.

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