Blues on the Pittsburgh stage

Evidently “still alive and well,” international blues guitar legend and producer Johnny Winter will be in Pittsburgh this Thursday, April 8 for a performance at Diesel Club Lounge. The subject of an upcoming biography (Raisin’ Cain: the Wild and Raucous Story of Johnny Winter, Backbeat Books, May 2010), Winter earlier this year put out the sixth volume in his Live Bootleg Series (Friday Music) featuring live tracks selected by Johnny himself. While I haven’t had a chance to check out much of the bootleg series, there are obviously plenty of good live cuts from Winter available elsewhere, one of my favorites being the previously unreleased, nearly 15-minute “You Done Lost Your Good Thing Now” from last year’s The Woodstock Experience double CD set.

But Winter’s certainly not the only blues you’ll catch in the ‘Burgh in the coming days. This weekend, the locals will be squaring off for a chance at becoming international blues stars themselves when they represent the western Pa. region at The Blues Foundation’s annual International Blues Challenge. Sponsored by the Blues Society of Western Pennsylvania, the competition will take place Saturday beginning at 1 p.m. at the Ramada Inn-Greentree with 20-minute performances from 16 of the region’s blues acts, with winners to be crowned in both the solo/duo and band categories. The winners will then compete against other blues acts from across the country and around the world at the International Blues Challenge in Memphis in early 2011.

If Saturday’s challenge doesn’t provide enough of a blues fix for you, the Society is also hosting a Sunday blues brunch at the hotel that features last year’s solo/duo winning act, Bubs McKeg and Dr. Blue. The cost of the brunch is included in the hotel rate for guests staying overnight or open to non-hotel guests for $10 per person.

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Nighthawks taking Last Train to Blawnox

With a flip of the calendars to a fresh month, April 16th might be a date worth noting for those of you in southwestern PA. That’s when the legendary Nighthawks will be stopping by Moondog’s in Blawnox in support of the band’s latest release Last Train to Bluesville (RipBang Records), recorded live at the Sirius/XM studio.

NighthawksFormed by Jimmy Thackery and Mark Wenner in the early 1970s (almost a decade and a half before Thackery ventured out on his own), the DC-based Nighthawks have spent the past nearly 40 years touring with and backing the likes of Hubert Sumlin, John Lee Hooker, Pinetop Perkins, Carl Perkins, Muddy Waters, and Elvin Bishop, and making quite a name for themselves along the way. Showing a bit more of a country blues sound on the acoustic Last Train, the ‘hawks cover such classics as “Nineteen Years Old,” “Rollin’ and Tumblin’,” “Can’t Be Satisfied,” James Brown and the Famous Flames’ “I’ll Go Crazy,” Big Joe Turner’s “The Chicken and the Hawk,” and Slim Harpo’s “Rainin’ in My Heart,” with Sonny Boy Williamson’s “Mighty Long Time” and Bo Diddley’s “You Don’t Love Me” as particular standouts.

Though he isn’t featured on the album, West Virginian and longtime drummer for Thackery’s Drivers Mark Stutso now bangs the drums for The Nighthawks, following the departure of their own longtime drummer (of 35 years) Pete Ragusa. We caught Stutso sitting in for a few songs during the Hubert Sumlin/Bob Margolin show at Moondog’s earlier this year and would have to imagine that he makes for a great addition to the Nighthawks. But it certainly sounds like another good reason to catch the band at their April 16 gig to me.

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Blues Lyrics of the Week: If the Washing Don’t Get You…

Composed by Homer Banks of Stax Records fame, this one can be heard on recordings by Albert King, The Mannish Boys, and Willie “Big Eyes” Smith, to name a few.

“How many men can you find,
Will give a woman his last dime?
Work like a mule ev’ry day,
And be home and be treated any kind of way.

But your day will come,
Sure as you live.
If the washin’ don’t getcha’,
the rinsin’ surely will.”
– “If the Washing Don’t Get You, the Rinsing Will”

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Hats off to Downchild on I Need a Hat

After four decades in the business, the band Downchild thinks they’ve finally figured it out: all they really need to be famous bluesmen are hats. Hence the title of the band’s latest release I Need a Hat, available April 6 from Linus Entertainment.

You’d think the hat thing might have occurred to these guys a few years earlier, having served as the real-life inspiration for the wildly popular, hat- and shade-wearing Blues Brothers act that helped propel Dan Ackroyd and John Belushi (“on a mission from God,” no less) to mega-stardom, but Downchild seems to have done alright for itself over the years all the same. Now celebrating the band’s 40th anniversary, this experienced and talented team delivers nothing less than another Olympic medal performance for the Canadians with their 16th release I Need a Hat.

dchatHaving spent the past decade and a half of its existence in its present incarnation, Downchild is as tight musically as they are personally. Coming out swinging with “This Must Be Love” and the title track, the sextet then shifts to the slow, soulful groove of “Somebody Lied,” featuring terrific horn-playing from guest Wayne Jackson of the famed Memphis Horns, as well as fellow Canadian Colin James on lead guitar (whose “Just Came Back (to Say Goodbye)” from the Sudden Stop album I still recall fondly as one of my favorite tunes to spin on air the college radio station; you can also hear a great cover of that song on Bernard Allison’s Across the Water CD, but I digress…) and, a bit later, the full band treatment on “Time to Say Good-bye.” The disc also offers some notable harp on songs like “You Don’t Love Me” and the country blues of “Down in the Delta,” along with diverse, solid vocals that evoke comparisons ranging from Pittsburgh soulman and Roy Buchanan collaborator Billy Price to Joe Cocker and Omar Kent Dykes, and even a hint of B.B. King from Donnie Walsh on “Some More of That,” before it all comes to a close with the instrumental “El Stew.” To help mark the special anniversary, the album includes solo appearances from a few additional famous Canucks on “You Don’t Love Me”: Elwood Blues himself (Dan Ackroyd) on harmonica and Colin Linden on guitar.

Not that there was ever much of a doubt, but after hearing this album, it’s clear that Downchild doesn’t really need a hat – or any other kind of gimmick – to be famous: their music speaks for itself. But it will make you want to – in the words of baseball great Sammy Sosa (in reference to a Pittsburgh Pirates pitcher who struck him out, believe it or not) – “take [your] hat off and hand it to [them].”

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Quick takes: The Holmes Brothers, The Mannish Boys, and the ‘Burgh’s bluesiest

As the month begins to wind to a close, here are a few more March releases worth checking out:

The Holmes Brothers Feed My Soul (Alligator Records)
holmes_bros_feed_my_soulYou can always count on the Holmes Brothers for some interesting lyrics and music, and this latest release is no exception. From the quiet title track and other slow but steady tunes like “I Saw Your Face,” the Beatles’ “I’ll Be Back,” and “Pledging My Love,” to the more uptempo, foot tapping “You’re the Kind of Trouble” and “Rounding Third,” and the slightly reggae sound of “Something is Missing,” the brothers have compiled another solid album to showcase their unique R&B gospel sound. “I Believe You I Think” sounds like something Alligator labelmate Tommy Castro might have done (or should do at some point), in addition to offering some memorable lyrics (“You say you’ll change your ways, you’ll never do it again/the new man you had, he’s just a has-been/although your record stinks, I believe you I think”) along with others such as “Put My Foot Down” (“I finally made up my mind, gonna’ be different this time/take what’s your’s, I’ll take what’s mine/finally decided I’m gonna change my own luck/I’ve got to put my foot down so I can hold my head up”).

The Mannish Boys Shake for Me (Delta Groove)
mannish_boys_shake_for_meFrom the opening beats of “Too Tired” and into the “Mona/Willie and the Hand Jive” medley that follows, it’s clear that Shake for Me is another worthwhile release from this consistently entertaining supergroup with a traditional blues sound. From there, they slow things down briefly with the Lowell Fulson classic “Reconsider Baby” and then roll on to offer plenty of other highlights that include “Last Night,” covers of Ray Charles’ “Hey Now” and Muddy Waters’ “Champagne and Reefer,” instrumental “The Bullet,” “You’ve Got Bad Intentions,” “Those Worries,” and a guest appearance from the great Arthur Adams on “Raunchy” before the album comes to a close what seems all too soon with “Way Down South.” It’s likely that you’re going to want to listen to these guys all night once you get started with Shake for Me, so you may want to either set your player to “repeat” or have one or two of the band’s previous releases –Lowdown Feelin’Big PlansLive and In Demand, or That Represent Man, any of which will certainly do – handy to throw on next.

Various Artists Blues from the Burgh 2 (Blues Society of Western Pennsylvania)
burgh2A few weeks ago, we wrote about the Blues Society of Western Pennsylvania’s (BSWPA)
CD release party celebrating the group’s second CD compilation of Pittsburgh’s local blues artists, including Wil E. Tri and the Bluescasters, Jill West and Blues Attack, Jimmy Adler, Ernie Hawkins, Gary Belloma and the Blue Bombers, Angel Blue and the Prophets, Mahajibee Blues Band, Eugene Morgan, and Ron Yarosz and the Vehicle, several of whom were also featured on the Society’s first Blues from the Burgh CD. Although we weren’t able to join the party, the BSWPA did provide us a copy of the CD, which includes particularly impressive performances from Miss Freddye and Blue Faze on the opening “These are My Blues,” Billy the Kid and the Regulators’ “Say You Wanna Woman,” an Eric Burdon-sounding offering from the Mahajibee Blues Band in “Little Man,” and perhaps the album’s best track, the slow blues of Bubs McKeg and Dr. Blue’s “How in the World.” While this second installment from the Society isn’t quite as impressive as the first, Blues from the Burgh 2 does make a nice companion piece to the original. And, after too long an absence of recordings spotlighting the region’s blues talent, you have to hand it to the BSWPA for helping to fill the void by putting out two nice samplings in relatively short order.

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Blues Lyrics of the Week: Office Move Edition

Having spent the past few weeks preparing for and unpacking from a rather large office move, I’ve recently come to understand more clearly the appeal of traveling light. This concept is perhaps no better illustrated in the blues than in the lyrics to the classic tune “Matchbox Blues,” variations of which have been recorded through the years by such greats as Blind Lemon Jefferson, Albert King and Stevie Ray Vaughan, Leadbelly, Robert Johnson, Duane Allman, Carl Perkins, Magic Slim, and even the Beatles, although the gist is always the same:

“I’m sittin’ here wonderin’
Will a matchbox hold my clothes,
I’m sittin’ here wonderin’
Will a matchbox hold my clothes.
I ain’t got so many matches,
but I got so far to go.”

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Blues Lyrics of the Week: Train to Memphis

KABBcoverOur latest B.L.O.W. (Blues Lyrics of the Week) is about as current as you can get, coming off of the Kilborn Alley Blues Band‘s latest CD Better Off Now (Blue Bella Records), out today. Produced by Nick Moss, this one is chock full of Chicago-style blues and soul, including a title track and one or two others (“Tonight” jumps to mind) that sound like tunes Sam Cooke himself could have recorded, a catchy opener in the recession-themed “Nothin’ Left to Stimulate,” the Moss-penned “Watch It,” the slow, deep groove of “Keep Me Hangin'” and some thoughtful lyrics in songs like “You Can Have the Tail” (Say man, is that whiskey that you’re drinkin’/ you know that stuff’s gonna’ stop you from thinkin’/ say man, is that gin that you’re sippin’/ you know that’s gonna’ start you trippin’/ think it through, you might wanna’ quit/ you can have the tail but you gotta’ take what comes with it”) and “Train to Memphis,” which also offers some pretty impressive harp from Joe Asselin.

“Rode into Chicago, we didn’t tear down,
I ain’t got too much to bitch about –
I got a good woman, she’s still around.
Just sittin’ ’round town, just tryin’ to catch a break,
Don’t wanna’ go to work,
Wanna’ spend all my time at the lake.

Never took the train to Memphis,
Might hafta’ do that some time.
Whoa, but I do believe,
I do believe I’m doin’ fine.”
-“Train to Memphis,” Kilborn Alley Blues Band

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On Privileged, a rolling Moss gathers some rock

It’s not difficult to figure out how Chicago bluesman Nick Moss found his way to the cover of the April/May issue of Blues Revue magazine. Between the publication’s recent naming of Moss’ Play It ‘Til Tomorrow double album as one of the 25 best blues albums of the decade, the success of a series of live CDs recorded at Rhode Island’s famous Chan’s (the most recent of which – Combo Platter No. 2 – also featured fellow Chicago superstar Lurrie Bell), and his new album Privileged (Blue Bella Records, March 16), Moss has easily earned the honor.

mossWith sounds that range from Deep Purple to Eric Gales, Privileged takes a harder-edged approach than Moss’ seven previous albums, even on more traditional blues songs such as Howlin’ Wolf’s “Louise,” Sonny Boy Williamson’s “She’s So Fine (Born Blind),” and Moss’ own “Georgia Redsnake”. In addition to monster guitar riffs on tracks like the opening “Born Leader,” “Tear ‘Em Down,” and the closing instrumental “Bolognious Funk,” the album offers covers of Cream’s “Politician” and a funked-up version of the Stephen Stills classic “For What It’s Worth” as well as other gems in “Privileged at Birth” (from which the album draws its title) and “Why Should I Care.” There’s no doubt that Moss gives listeners their money’s worth on this one: along with the new direction in music, only three of the songs on the album clock in under the four minute mark, with the others all falling between five and eight minutes in length.

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Blues Lyrics of the Week: How Blue Can You Get

This week we spotlight a true blues classic from none other than the King of the Blues, who, on his Live at the Regal album, asks the audience to pay particular attention to the lyrics and “not so much the singing and the band” before leading everyone “way down in the alley” on this one. Bearing in mind that ten dollars used to go a bit further than it does now, these lyrics are even better when accompanied by B.B.’s soulful vocals and playing.

“I gave you a brand new Ford,
You said ‘I want a Cadillac,’
I bought you a ten dollar dinner,
You said ‘Thanks for the snack,’
I let you live in my penthouse,
You said it was just a shack,
I gave you seven children,
and now you wanna’ give ’em back!

Yes, I’ve been downhearted, baby,
ever since the day we met,
Our love is nothing but the blues,
baby, how blue can you get?”
– “How Blue Can You Get,” B.B. King

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More Blues from the ‘Burgh

If you’re looking for some good live blues around the ‘Burgh this weekend, you might consider checking out the Blues Society of Western Pennsylvania‘s Sunday party at the Palisades in McKeesport, where the organization and some of its closest musician friends will be celebrating the release of the BSWPA’s second CD showcasing local blues artists, Blues from the Burgh 2. The party starts at 2 p.m. and will include such special guests as Eugene Morgan, Gary Belloma, Angel Blue, Jimmy Adler, Bubs McKeg, Jill West, and Wil E. Tri, among others.

The first Blues from the Burgh compilation offered an impressive sampling of some of the region’s top blues talent, with highlights including Chizmo Charles’ opening “Bed Bug Boogie,” a soul-wrenching “You Don’t Know Nothing About Love” from Annie Sutton, “Flat Broke and Busted” country blues from Izzy & Chris, Zach Tyler and the Blu Razor Band’s hypnotic “Push Down and Turn,” rocking blues from Glenn Pavone and the Cyclones (“Shake that Thing”) and the Pawnbrokers (“Money Back Guarantee”), and some nice guitar work from the Dave Iglar Band on “Raggedy Pants Blues.” If this second volume is anything like the Society’s first, then this will be another good CD to put your hands on, and there’s no better time and place to do that than the Palisades this Sunday.

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