Tune into the Weekend: Mike Ross shakes on down a classic with debut single from new album

Posted on April 2, 2021 by Mike

We had a chance to catch bluesman Mike Ross along with some other great UK blues artists as part of the Wrotham Arms online blues and roots festival back in February, during which Ross performed a number of songs from his upcoming album The Clovis Limit -Tennessee Transition.

Ross first caught our ear a few years back with his album Jenny’s Place, and then again with his gritty Wrotham Arms set, which included — among other gems like Ross’ “The Only Place You Ever Take Me is Down” and revisiting of his earlier “Fixing to Die” — this Bukka White classic (later re-popularized by Mississippi Fred McDowell), “Shake ‘Em on Down”.

And that’s just one of the covers from Ross’ new album, where you’ll also hear his takes on Charlie Patton’s “Screamin’ & Hollerin’ the Blues” and Blind Willie McTell’s “Statesboro Blues” along with originals such as “Young Man”, “Blow Away”, “Don’t Say a Word” and “None of Your Business” that all work quite well with those covers. Enjoy!

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Tune into the Weekend: Guitarists Johnny Burgin, Anson Funderburgh team for Valentine’s Day blues single

Posted on February 12, 2021 by Mike

We know things have been pretty quiet around here as of late, but what better time than heading into a weekend to start to turn things around?! And those in any stage of a relationship will hopefully already have realized that this isn’t just any ordinary weekend, but one on which Valentine’s Day also happens to fall.

While we can’t really offer you any assistance in being prepared for the holiday, we can at least help get you in the mood for it with this just-released sweet slow blues track from guitarists Johnny Burgin and Anson Funderburgh, backed by the well-known Christian Dozzler on keys, Burgin’s touring partner Chris Matheos on bass, and Reo Casey on drums.

With its lyrics of love and captivating licks from both guitarists, this little gem from Delmark Records is bound to be the Cherry on Top of whatever plans you have — or don’t have — for the weekend. Enjoy!

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Reprise Records takes us back out Riding with the King with expanded, remastered 20th anniversary edition of King/Clapton collaboration

Posted on May 22, 2020 by Mike

I guess you could say that we’ve been on a bit of a hiatus since the start of this coronavirus lockdown. It’s certainly not that we haven’t been paying attention to what’s been going on in the blues world during this time, having in fact spent many hours taking in livestreams (and trying to catch up on those we weren’t able to tune into live) from blues artists all over the world, with some our favorites having come from the likes of Catfish, Robin Bibi, Dom Martin and Corey Harris across the pond to musicians from across the U.S. such as Eddie 9V, John Primer, Andrew Black, Alvin Youngblood Hart, Jimmy Burns, Kenny Neal, and Lucious Spiller, to name just a few.

Having frequently done most of the listening and writing for this blog on our train commute into and home from the office, however, we’ve come to realize that the lack of an office to which to commute has tended to put a pretty serious kibosh on our blues blogging! So while we’ve missed out on telling you about quite a few new album releases and other stories from the blues world, we hope the bit of good news we’re about to share will help make up for our absence from the scene these past few weeks, particularly for any fans of Eric Clapton and/or the late great King of the Blues himself, B.B. King (so basically everyone!)

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11 Guys Quartet delivers big sound on Small Blues and Grooves

Posted on March 13, 2020 by Mike

While we’re on the topic of great new releases from the VizzTone Label Group, here’s another one well worth checking out. Although their names may not be as familiar as those in the band about which we told you in last week’s post, the members of the 11 Guys Quartet have been playing together even longer, having first come together in the early 1980s and then proceeding to share the stage and studio on and off for the following decades.

About a dozen years ago or so, the band went into the studio and recorded a live album of original instrumentals, a project that didn’t see the light of day until now, released by VizzTone as Small Blues and Grooves. The album’s press materials don’t really say why it took so long for the album to be released, but we’re guessing the delay probably wasn’t the result of the band not being able to find a good record company to work with, as one of the members — harmonica player Richard Rosenblatt — happens to be the president of the VizzTone Label Group!

It doesn’t matter that this music wasn’t recorded this decade; the 14 tracks here make for some timeless stuff, consisting of one great instrumental blues track after another and some of the most expressive playing we’ve heard in quite some time, a perfect example of the phrase “blues with a feeling”.

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Blues supergroup the Phantom Blues Band is Still Cookin’ with hot new album

Posted on March 5, 2020 by Mike

There aren’t many blues bands today that can compare with the Phantom Blues Band in terms of either talent or longevity. They may be best known for their role backing the legendary Taj Mahal on several projects — earning two Grammy Awards along the way — over the past three decades, but they’ve also dished out a bunch of terrific music of their own during that time, including their latest release Still Cookin’ (VizzTone Records), which again captures the band sounding ridiculously good.

With members whose names will be quite familiar to regular readers of this blog, from either their past work together or supporting artists like Robert Cray, Barbara Blue, Curtis Salgado, Eric Burdon, Danielle Nicole, Joe Louis Walker, the Mannish Boys, Bonnie Raitt and Tommy Castro, just to name a few, the Phantom Blues Band is made up of Tony Braunagel on drums, Mike Finnigan on keyboards, Larry Fulcher on bass, Johnny Lee Schell on guitar, Joe Sublett on saxophone and Les Lovitt on trumpet, with Finnigan, Fulcher and Schell taking turns on vocals, often featuring two or all three on the same song, as is the case, for example, on the opening track, a country-soul take on the Steve Cropper/Wilson Pickett co-penned “Don’t Fight It” that anyone with a pulse will be sure to feel, with Fulcher and Finnigan also sharing the mic for the breezy, island/reggae sounds of a “Shine On” that’s every bit as good and uplifting a song as you’d hear from the likes of such other collective talents as the Royal Southern Brotherhood.

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Tune into the Weekend: no need to wait ’til the Midnight Hour for Handsome Jack’s rocking cover of Wilson Pickett classic

Posted on February 28, 2020 by Mike

You, like us, may not have known Jack… New York-based rock trio Handsome Jack, that is. But the latest single from the band has certainly helped put them on our radar, and will likely do the same for you.
 
It’s an absolutely smashing version of Wilson Pickett’s mid-1960s hit “In the Midnight Hour” that has much of the soul of the original thanks to its rich horns, lush keyboards, and female backing vocals, but with the added punch of gritty, distorted vocals (think a heavier-hitting CCR, Bob Seger, or the more contemporary The Commonheart), ripping guitar, and pounding drums. 

Though it’s probably impossible to do any better than Pickett did the first time around, you have to commend Handsome Jack for taking on the challenge and delivering a version you can listen to not just once out of curiosity, but that you’ll come back to and enjoy time and time again!

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Forrest McDonald Band puts some of its best Blues in a Bucket on latest release

Posted on February 15, 2020 by Mike

We liked the Forrest McDonald Band‘s earlier album Turnaround Blues so much that we wondered if we’d ever hear another one quite that good from them. Not that the band’s 2017 follow-up album Stand My Ground was anything to sneeze at: spotlighting the powerful vocal work of Becky Wright, the album was indeed a solid one and very much worth checking out, even if it didn’t attain quite the same level of impressiveness as that previous release.

Now a few years later comes along McDonald — who, you may recall, spent part of his career playing guitar for the likes of Bobby Womack, Bonnie Bramlett, and the famous Muscle Shoals Rhythm Section, including having contributed that instantly recognizable guitar work on Bob Seger’s hit “Old Time Rock and Roll” — and his band as strong as (if not perhaps stronger than) ever with their latest recording Blues in a Bucket (World Talent Records).

Wright makes a fine return appearance, guesting on vocals for two tracks, the gritty, slithering “Powerhouse” and the closing “Let the Love in Your Heart”, an upbeat catchy duet that sounds like it could have come straight out of a Disney movie or parade. But most of the vocals this time around are handled by the immensely talented Andrew Black, who we also heard a bit from on Turnaround Blues and whose dynamic range of R&B/soul stylings is in a rare league with such names as the late Michael Ledbetter, Ty Taylor of Vintage Trouble, and Brian Templeton of The Proven Ones.

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Times are Getting Tougher

Posted on February 5, 2020 by Mike

Here’s another talk-free edition of our BluesPowR Radio Hour to help keep your new year rolling, featuring a trio of classic tracks off Earwig Music’s Cadillac Baby’s Bea & Baby Records: The Definitive Collection from Little Mack Simmons, Sunnyland Slim, and Andrew “Blueblood” McMahon, plus a pair of tracks from both Mike Zito and friends (in this case, Chuck Berry’s grandson Charlie Berry III on one and guitarist Joe Bonamassa on the second) off Zito’s tribute album to the late rock n’ roll pioneer Berry and harmonica ace Bob Corritore joined by a few friends of his own (vocalists Oscar Wilson on “Bitter Seed” and Sugaray Rayford on “Trying to Make a Living”, a tune once covered by Koko Taylor but the original of which from Bobby Saxton can also be heard on the Bea & Baby Records collection, with guitarist Junior Watson also accompanying Corritore and Rayford on this latest take).

If that’s not enough for you, we’ve also got music from Danny Bryant, Dom Martin, Jill West & Blues Attack and the aptly named Sensational Barnes Brothers. It’s going to be tough to pass this one up!

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Playlist
St. Louis Blues – Mike Zito & Friends feat. Charlie Berry III (Rock ‘N’ Roll – A Tribute To Chuck Berry)
Times Are Getting Tougher – Little Mack Simmons (Cadillac Baby’s Bea & Baby Records: The Definitive Collection)
Little Girl – Sunnyland Slim (Cadillac Baby’s Bea & Baby Records: The Definitive Collection)
Worried All The Time – Andrew “Blueblood” McMahon (Cadillac Baby’s Bea & Baby Records: The Definitive Collection)
Xtra Xtra – Jill West & Blues Attack (Blues from the Burgh 5)
Bitter Seed – Bob Corritore & Friends feat. Oscar Wilson (Do The Hip-Shake Baby!)
Trying To Make A Living – Bob Corritore & Friends feat. Sugaray Rayford & Junior Watson (Do The Hip-Shake Baby!)
Mya – Danny Bryant (Means of Escape)
Antrim Blues – Dom Martin (Spain to Italy)
Nobody’s Fault But My Own – Sensational Barnes Brothers (Nobody’s Fault But My Own)
Wee Wee Hours – Mike Zito & Friends feat. Joe Bonamassa (Rock ‘N’ Roll – A Tribute To Chuck Berry)

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Before you cast your votes for the Blues Music Awards, be sure to check out Best Emerging Artist nominee Ben Levin’s Before Me

Posted on January 17, 2020 by Mike

Just before Christmas, we told you about young blues pianist Ben Levin‘s holiday song “Forgot Mrs. Claus“. Between that single and the recent unveiling of this year’s Blues Music Awards nominees, which included Ben among its Best Emerging Album candidates, we figured it was probably about time we got around to telling you about that latest album from Ben, entitled Before Me (Vizztone Records).

From the boogie woogie flavor of Levin’s opening take on Big Bill Broonzy’s “I Feel So Good”, you can tell that Before Me is going to be one of those albums that transports you to another place, in this case, the back of a dark piano bar where you can relax, have a drink and smoke cigars all night while listening to Levin play, with a strong, confident delivery both musically and vocally, and crisp, commanding vocals that make Levin sound decades older than his 20 years.

With snappy originals that fit right in with other covers such as “Confessin’ the Blues”, ‘Lonesome Whistle Blues” and “I Wanna Hug Ya, Kiss Ya, Squeeze Ya”, the album features an impressive selection of tracks that allow Levin to stretch out and show the range of his talents without ever sounding stale, over-the-top, or that he takes his music too seriously, a rare and admirable feat of maturity and balance for someone his age.

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Georgia bluesman Eddie 9V hits the ground running on debut album Left My Soul in Memphis

Posted on January 8, 2020 by Mike

Among the most pleasant of surprises to cross our desk in 2019 was the debut release from a young Georgia bluesman who goes by the name of Eddie 9V. Don’t let his mere 23 years of age fool you: this guy has a sound much deeper than his days on this earth, delivering greasy, soulful blues numbers that combine riffs like those of his idol Freddie King with styles that range from Eric Lindell, JJ Grey and the late Sean Costello to fellow rising artists Kelly Finnigan and Big Jon Atkinson to Junior Parker, Magic Sam, John Nemeth and blues-rockers like the North Mississippi Allstars and MonkeyJunk.

Except for the keyboards, Eddie handled all of the instruments on Left My Soul in Memphis himself, also using vintage recording techniques to capture a raw, unedited 50s and 60s sound that will impress fans of traditional and contemporary blues/soul alike. From the slick, horn-soaked cover of the blues classic “Look Over Yonder Wall” that opens the album and 9V dedicates to Freddie King and shuffling soul-blues grooves of “36th & Main”, to slow numbers like the piano-laced “Bottle and the Blues” and the gritty swaying R&B/soul of “Lo-Fi Love”, to more uptempo and funky tracks such as “Don’t Test Me” and “New Orleans”, everything here is deep grooved and genuine, loaded with stinging guitar and vocals that are surprisingly diverse and mature for his age and that occasionally venture into the falsetto.

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