Luther’s Legacy

Correction: In our original post from Friday, we indicated that the Soul Fixin’ Foundation is directed by Luther’s life partner Carolyn “Rocky” Brown, based on information we obtained from the organization’s web site. We have since heard (from Rocky herself) that she does not have any role with the organization, though she believes that Luther would certainly applaud their work in his name. Thanks to Rocky for setting the record straight on this!

A short postscript to yesterday’s post on Luther Allison (Soul Fixin’ Fan: Luther’s Songs from the Road):

Upon his death in 1997, Luther left a number of legacies. In addition to his own music and his blues performer son Bernard, there’s also the Soul Fixin’ Foundation, which derived its name from Luther’s song/album and subsequent nickname “Soul Fixin’ Man,” and is directed by Luther’s life partner Carolyn “Rocky” Brown. Originally established to provide emergency grants to blues musicians unable to perform and in immediate need, such as its recent support of Joe Louis Walker in battling an intestinal infection, the foundation has now expanded its mission to provide musical instruments for terminally ill children.

I’m sure that Luther would be quite proud of all that the Soul Fixin’ Foundation has and continues to accomplish, as well as its dedication to helping to promote Luther’s final message of “Leave your ego, play the music, love the people”

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Soul Fixin’ Fan: Luther’s Songs from the Road

Listening to and watching Luther Allison‘s Songs from the Road (Ruf Records), it’s pretty difficult to believe that the bluesman had only a month to live at the time of its taping. Less than a week after this July 1997 appearance at the Montreal Jazz Festival, Luther was diagnosed with terminal cancer, making this his last live recorded performance.

Albeit somewhat gruffer in the voice than on his previous live recordings, this CD/DVD set (available February 9) is a good reminder of the energy and skill the Soul Fixin’ Man brought to the stage for each of his shows, and does a great job of capturing the intensity of both his guitar and voice.

songsfromroadIf the vinyl-look CD starts off hot with “Cancel My Check,” it’s sweltering by the time the band hits “Will It Ever Change” a few songs later. It’s about here that this listener began to realize that this isn’t just music – it’s magic. Luther’s vocals and guitar are both in full force for “There Comes a Time” (complete with talking guitar), “(Watching You) Cherry Red Wine,” and one of the most soulful renditions of “It Hurts Me Too” you’ll ever hear, before the band closes on a somewhat quieter note with “Serious.” It’s a bit puzzling to me that the producers chose not to include “Move from the Hood” on the CD (it closes the DVD), but otherwise, this is a solid and energized live recording worth adding to your collection.

While the CD itself is enough of a treat, to be able to watch this historical performance on the accompanying DVD is like Christmas in February.

On this night, whether due to the much shorter program than the three- to four-hour shows for which Luther was famous, or perhaps sensing the urgency of the diagnosis to soon follow, Luther and the band wasted no time attempting to build into the evening slowly, instead working into a frenzy on the opening “Cancel My Check.” What you hear on the CD now is confirmed visually, with sweat rolling off Luther by the end of the first song.

Beautifully filmed and produced, the DVD offers an interesting variety of angles on the show, with a nice balance of close-ups on Luther and his masterful fretwork and full stage shots. Along the way, the viewer gets to hear and see plenty of blistering guitar work, including a few actual “licks” when Luther plays the strings with his tongue. Like Luther, the guitar is drenched with sweat a few songs into the show, and Luther never stops moving, still dancing on the DVD’s closing track “Move from the Hood.”

In addition to the stage performance, the DVD also provides a short Luther-focused excerpt from a blues in Europe documentary, including interviews with Luther and some neat footage from performances in The Netherlands and France, often with his son Bernard, as well as an interview with Koko Taylor in which she describes Luther as “one of the finest guitarists around…when he breaks a string, it deserves to be broken.” Also included is a separate interview with Luther filmed the day after the Montreal Jazz Festival show, in which he talks about living in Paris, his Montreux live album, thoughts on jazz music, his love of baseball, his four-hour concerts, and his influences, including Arthur “Big Boy” Crudup, Robert Nighthawk, and Otis Rush. Luther ends the interview with some sage advice: “Young people out there, whatever you do, listen to the blues sometime.” Hear, hear.

Related post: Luther Allison, Live Again

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Blues Lyrics of the Week: Don’t Ever Let Nobody Drag Your Spirit Down

A little spiritual inspiration for a Tuesday morning, although this is good advice any day of the week. Eric Burdon also did a soulful cover of this tune on his Soul of a Man CD a few years back.

“You might slip, you might slide,
You might stumble and fall by the roadside,
But don’t ever let nobody drag your spirit down.
Remember you’re walking up to heaven
Don’t let nobody turn you ’round”
– “Don’t Ever Let Nobody Drag Your Spirit Down,” Eric Bibb

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Blues Lyrics of the Week: Born Under a Bad Sign

Here at the BluesPowR Blog, we hold Albert King in pretty high regard (and not just because he happened to have a hit titled “Blues Power.”) Albert has long been an inspiration to blues guitarists everywhere, including a few you might have heard of named Stevie Ray Vaughan, Otis Rush, and Eric Clapton. Listen to such King songs as “Don’t Throw Your Love on Me Too Strong,” “Going Down,” “Drowning on Dry Land,” and “Everybody Wants to Go to Heaven,” and you’ll quickly realize why.

So, it’s in Albert’s honor that we proudly present this latest B.L.O.W. (Blues Lyrics Of the Week) highlighting what just may be his most popular song: “Born Under a Bad Sign.” It doesn’t get much bluer than this.

“Hard luck and trouble is my only friend,
I been on my own ever since I was ten.
Born under a bad sign,
Been down since I began to crawl.
If it wasn’t for bad luck,
You know I wouldn’t have no luck at all.”

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Luther Allison: live again

I’ve long been a fan of the live Luther Allison albums. Whether recorded in Chicago, Paris, or Montreux (Where Have You Been?, which chronicles his performances there over nearly a 20-year period), these albums to me capture the essence of the blues, as well as a true blues master. It’s one thing to hear Luther on a studio recording (and he had plenty of good ones), but it’s an entirely different – and far more fulfilling – experience to hear him perform live.

songsfromroadSo I guess saying that I’m looking forward to German label Ruf Records’ February 9 release of Luther’s Songs from the Road CD/DVD would be a bit of an understatement. The same record company that put out Luther’s Underground CD in the fall of 2007, Ruf seems to have a pretty good thing going in its Songs from the Road series, which kicked off last summer with a Jeff Healey compilation from shows in London, Norway, and Toronto.

Capturing Luther’s “last live recorded performance” at the Montreal Jazz Festival in July 1997 (less than a week before he was diagnosed with terminal cancer), Songs from the Road will allow fans to hear and see – as recorded by Canadian Television – nearly all of Luther’s 90-minute set from that show, including such hits as “Cherry Red Wine,” “Cancel My Check,” “Move from the Hood,” “It Hurts Me Too,” and “Serious.”

We’ll certainly be taking a closer look and listen at this double live offering just as soon as we get the opportunity.

In the meantime, a quick note on Ruf Records: in addition to a pretty diverse roster of more established acts (including Luther and son Bernard Allison, Canned Heat, Jack Bruce and Robin Trower, and Walter Trout), the label also has some pretty impressive up-and-comers in Oli Brown (who, by the way, included a nice cover of Luther Allison’s “All the King’s Horses” on his Open Road CD) and Joanne Shaw Taylor, to name a few.

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Hubert Sumlin/Bob Margolin show photos

Just posted to the BluesPowR gallery: more photos from last week’s Moondog’s show featuring blues guitar legends Bob Margolin and Hubert Sumlin. Check them out at http://photos.bluespowr.com/GalleryFilmstrip.aspx?gallery=305914

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Blues Lyrics of the Week: Mona Lisa was a man

“If I don’t love you baby…
Grits ain’t groceries,
Eggs ain’t poultry,
And Mona Lisa was a man”

I mentioned this one in yesterday’s post on the Homemade Jamz Blues Band (I Got Blues for You) as being the new album’s only cover song. Written by Titus Turner, Grits Ain’t Groceries was first recorded by blues performer Little Milton, and has over the years been covered by the likes of Van Morrison, John Mayall, Edwin McCain, George Jones, and blues-rock band Wet Willie.

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I Got Blues for You

I still don’t know quite how it happened, but somehow I managed to miss ever hearing the 2008 debut album from the Homemade Jamz Blues Band, a much-acclaimed trio of siblings ages 11 to 17 who burst onto the national blues scene when they took second place in the 2007 International Blues Challenge. Could be that I took the title of that album – “Don’t Pay Me No Mind” – a bit too literally, or, being the cynic I am, that I subconsciously thought all the hype around the band was more about their ages than it was the actual music. You’d think I might have at least caught on and given the album a listen when it earned the band a 2009 Blues Music Award nomination for best new artist debut, making them the youngest-ever nominees in the history of the awards.

HJBBBut no, it wasn’t until I heard the group’s new CD “I Got Blues for You” (provided to me by the kind folks at the band’s Northern Blues label) that I had any inkling of what I might have missed from the band the first time around. Starting off strong with Hard Headed Woman, the band’s sophomore release doesn’t let up until the closing title track, offering plenty of funk in the meantime with songs such as King Snake and the album’s only cover, Little Milton’s Grits Ain’t Groceries.

This group of youngsters has a surprisingly tight, compelling sound, with lyrics (written by father Renaud, who also guests on harmonica) and vocals (by eldest sibling Ryan) that evoke a maturity well beyond their years (Heaven Lost an Angel and Alcoholic Woman are two particularly good examples), providing a hip, energetic performance that easily rivals music from the likes of Robert Randolph and Back Door Slam. Give Rumors and Loco Blues a listen if you don’t believe me.

So if, like me, you’ve been remiss in checking out the Homemade Jamz Blues Band, it might be best to do while it’s still somewhat early in their career. Otherwise, you may find yourself with a lot of catching up to do in another year or two.

Now, if you’ll please excuse me, I believe I have a 2008 album to download.

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Blues Guitar Heroes

Incredible show at Moondog’s Thursday night from blues guitar masters Bob Margolin, Hubert Sumlin and band. In addition to covering many of the classics from their days in the bands of Muddy Waters and Howlin’ Wolf, respectively, these guys threw in a nice array of songs from other blues/R&B performers such as Jerry Lee Lewis, Ray Charles (a rompin’ version of “What’d I Say”), and quite a few from the legendary Nappy Brown, including drummer Chuck Cotton on vocals for “Keep on Pleasin’ You” and young blues rocker/guitarist Matt Hill taking on vocals and lead guitar for “Lemon Squeezin’ Daddy” – SONY DSCcomplete with on-the-floor antics reminiscent of Nappy himself (which prompted Margolin to announce him as “on the bass, on the guitar, and on the floor: Matt Hill” during the introduction of the band). Hill also does a mean job on vocals and lead on “Howlin’ for My Baby”, which seemed to impress even Sumlin, who’s probably heard the song thousands of times since he first played it with the Wolf.

Matt Hill

Matt Hill

Other highlights of the evening included a Margolin-led tribute to his longtime bandmate and friend Pinetop Perkins on “How Long Blues”, which according to Margolin, Perkins still “plays at least once a night, sometimes two or three,” Margolin and Sumlin without the rest of the band of “Going Down Slow”, and the whole gang taking it full-tilt with one of the strongest performances of “Got My Mojo Workin'” you’ll ever hear.

It was also a real treat to see and hear them play “Don’t Go No Further”, a Muddy tune which featured Sumlin on guitar on the original recording and that Sumlin later included on his About Them Shoes album, and a bunch of Wolf songs, including “Sittin’ on Top of the World” and “Built for Comfort”, following Sumlin’s taking the stage to “Killing Floor”.

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Hubert Sumlin

The band was joined by several hometown special guests throughout the evening, with blue-eyed soul man Billy Price taking on vocals for several songs and new Nighthawks drummer Mark Stutso taking a turn on the cans as well as vocals on “Matchbox Blues”.

It isn’t everyday that two legends of blues guitar come through town to play together, particularly in as intimate a venue as Moondog’s, so I expect this is one that blues fans fortunate enough to have been in attendance will remember and talk about for some time.

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Blues on the Bay

Effectively landlocked in the City of Champions for most of the year (and snowed under for what often seems half of it), we at the BluesPowR Blog occasionally find a way to sneak off to slightly more coastal climates. Often it’s in the form of family vacations, which usually tends to feature more music from Winnie the Pooh and The Backyardigans than it does the likes of B.B. King and Taj Mahal, a small sacrifice to make in exchange for a much-needed break and some quality fun-in-the-sun time with my lovely wife and two terrific kids. And we’re fortunate to sometimes be able to make trips solely in pursuit of the blues music I love.

With any luck, we’ll have an opportunity to experience a little bit of both in May, when we’ll be looking to pack up the minivan and head south to Annapolis, Md., for the (mostly) annual Chesapeake Bay Blues Festival (CBBF) at Sandy Point State Park.

Despite having encountered its fair share of difficulties (mostly financial) during its lifetime – forcing the organizers to skip a few years along the way, and resulting in the constant threat of an untimely end for the festival that hovers over it like the storm clouds which often accompany the event – the CBBF organizers somehow manage to put together solid lineups for blues fans nearly every time (although the lineup can be somewhat repetitive – acts like Shemekia Copeland, the Nighthawks, and Hubert Sumlin have played the festival numerous times over the years, but hey, there are worse problems to have than continually attracting that kind of talent).

Take last year, for example, which offered probably one of the best festival lineups across the nation with performances from a great mix of established and rising stars, including Albert Cummings, Lonnie Brooks, Ana Popovic, Shemekia Copeland, Back Door Slam, Jonny Lang, and Zac Harmon (Eric Burdon of The Animals and War fame was also scheduled to perform but needed to drop out because of health reasons). BluesPowR Blog unfortunately wasn’t able to make last year’s festival due to other commitments, but hopes to make up for it with a return visit to the festival this May, seeing the just-announced lineup for 2010 (early-bird tickets go on sale Friday, Jan. 15).

In addition to headliners Buddy Guy and Chuck Berry, BluesPowR Blog is probably most excited about the inclusion of Big Bill Morganfield (son of Muddy Waters) and Jimmie Vaughan (Stevie Ray’s brother) among this year’s performers. The Mummers Parade-South Philly String Band certainly makes an interesting twist to the lineup, which also features Cedric Burnside, Bobby Parker, Tinsley Ellis, Moreland and Arbuckle, and, for at least a third time, Shemekia Copeland (daughter of Johnny Clyde Copeland). Once again, and similar to other festivals across the country, proceeds from this year’s show will benefit some worthwhile causes (Special Olympics, We Care, Camp Face, and Special Love in this case), giving even more reason to let loose and partake in the food and drink while you’re there. According to the event’s organizers, last year’s festival resulted in more than $30,000 for its designated charities.

It’s unfortunate that financial problems have forced the cancellation of even some of the largest blues festivals across the country in recent years (including last year, the San Francisco Blues Festival), and I certainly hope it’s a trend we’ll soon see start to reverse, or at least halted. Maybe it’s all the fond memories I have from my years as a regular at the CBBF (when I lived in Maryland and it was quite a bit easier to get to the event than it is now) – sitting in the pouring rain waiting (and waiting) for Bo Diddley to take the stage in 2001, after watching Sista Monica and blues legends Elvin Bishop & Smokey Smothers warm things up for him earlier in the day, only for Bo to play a few songs and then step down on account of the rain, or volunteering in the festival’s hospitality tent during the 5th annual event in 2002, which gave me my first real opportunity to meet and talk with blues musicians like Shemekia Copeland, Tab Benoit, Lil’ Ed and his band, Magic Slim, Kenny Wayne Shepherd, and the guys from Double Trouble – or maybe it’s the stellar lineups they come up with year after year, or maybe it’s that I’m such a sucker for a good pulled pork sandwich (courtesy of Red Hot & Blue) and beer with my blues, but I sure do hope that the storm cloud soon passes and that the CBBF continues going strong for many years to come.

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