The Fabulous Johnny Moeller

Johnny Moeller, BlooGaLoo! (Severn Records, April 20)

johnny_moeller_bloogalooIf you’re reading this wondering who in the heck Johnny Moeller is, well, you’re probably not alone. But fortunately the answer is simple: he’s one of the best and most energetic guitarists you’ve likely never heard – at least not on his own, although he’s certainly been around. In addition to fronting his own band and handling house guitar duties for the Severn Records label, the Texas guitarist also keeps busy playing with an outfit you probably have heard by the name of the Fabulous Thunderbirds.

There’s no doubt that hailing from the land that has served as home to so many other guitar greats (Stevie Ray and Jimmie Vaughan, Johnny Winter, Johnny Copeland, T-Bone Walker, Albert Collins, and Lightnin’ Hopkins, to name a few) can be both a blessing and a curse: a blessing in the region’s being recognized as a hotbed for six-string talent, and a curse in the fierceness of the competition and the fact that you’re not anywhere close to being the only guitarist looking to make a name for yourself. Fortunately, Moeller gets a little help from both Severn Records and some friends on BlooGaLoo!, his first release on the label.

After starting off with the surf-sounding instrumental title track, Moeller keeps things moving with “I’m Movin’ on Up,” which is kind of like a modern-day party version of the Guitar Slim blues classic “Well I Done Got Over It” (recently featured as our Blues Lyrics of the Week). Johnny’s take on Earl King’s “Trick Bag” might be a little more Johnny Rotten than Johnny B. Goode for some blues purists, but they’ll find plenty of other songs on the disc to be squarely down the blues alley, including “Well Goodbye Baby” and “Got a Feelin’,” both of which feature fellow T-bird Kim Wilson on vocals and harmonica. Also joining Moeller as guests on BlooGaLoo! are fellow Texans LouAnn Barton, who handles vocals on “I’m Stuck on You” and the album’s second Earl King cover “Everybody’s Got to Cry Sometime,” Gary Clark, Jr., on background vocals and horns for the catchy “Raise Your Hands,” and Shawn Pittman on vocals for the aforementioned “I’m Movin’ on Up.”

Top it off with a number of happening instrumentals, including “Shufflin’ Around” and “Theme from the One Armed Swordsman,” and a closing, early Stones-sounding cover of Earl Hooker’s “Tease Me,” and there’s no denying that Moeller’s got a unique and interesting sound that demands – and deserves – to be heard far beyond Texas.

Posted in Albums | Tagged | Comments Off on The Fabulous Johnny Moeller

Blues Lyrics of the Week: Well I Done Got Over It

Here’s another classic blues tale involving triumph over adversity. Originally performed by Guitar Slim, this song has been covered by the likes of T-Bone Walker, Billy Boy Arnold, Ike Turner, Lazy Lester, and James Cotton (both on his Take Me Back album and with Muddy Waters and Johnny Winter on Breakin’ It Up, Breakin’ It Down).

“Now the day that I first met you,
You seemed such a sweet little thing.
But after a while you got so bad,
You know it was a cryin’ shame.
But I done got over it,
Lord I done got over it.
Well I done got over it,
I done got over it at last.”
– Well I Done Got Over It, Guitar Slim

Posted in Lyrics | Tagged | Comments Off on Blues Lyrics of the Week: Well I Done Got Over It

Remembering Phil Guy

For the second time since his death in August 2008, friends of blues musician (and true blues brother to the legendary Buddy) Phil Guy are asking musicians and fans to help in remembering the performer later this month.

Although the Second International Phil Guy Day is officially set for what would be Phil’s 70th birthday on April 28, organizers Dario Lombardo (an Italian bluesman who’s worked across Europe with Phil for 20 years) and Phil’s manager Lisa Mallen (who spent a few years on Pittsburgh’s North Side before moving to Chicago) are asking musicians to mention Phil, dedicate a song in his memory, or perhaps even include one or two of Phil’s songs in their performances between April 21 and May 1. Participating musicians can have their shows noted on the International Phil Guy Day sites on Facebook and MySpace, which already include Janiva Magness, fellow Chicago bluesman and Muddy Waters band alumnus John Primer, Sugar Blue, and Dave Specter among the performers who will help to remember Phil as part of shows taking place around the world, from Philadelphia to Athens, Greece, and from San Antonio to Chicago to Torino, Italy.

Like older brother Buddy, Phil began his career playing with Raful Neal, where he spent a decade before moving on to become a member of Buddy’s band, playing on such classics as Stone Crazy!, Hold That Plane, This is Buddy Guy!, Buddy Guy and Junior Wells Play the Blues, Breaking Out, and DJ Play My Blues. In addition to Buddy and Raful, Phil accompanied many other blues greats through the years, including Son Seals, Albert Collins, Koko Taylor, Memphis Slim, Slim Harpo, and Big Mama Thornton. While the brothers Guy did put out one album (Buddy and Philip Guy, P-Vine Records, 2007) in both their names, Phil has recorded some pretty good, often funky, stuff with his own bands, including It’s a Real Mutha’, Another Guy, Tina Nu, Say What You Mean, a Chicago’s Hottest Guitars CD with Lurrie Bell, and Phil’s last, 2006’s He’s My Blues Brother featuring Buddy on the title track.

I can’t think of a better way we can help in remembering Phil than breaking out a few of his albums (or ordering one or two from his web site if you don’t already have them) and giving them a spin before heading out to catch some live blues, which – with enough luck and word-of-mouth – will include plenty of reminders of this late, great showman in the coming weeks.

Posted in Artists | Tagged | Comments Off on Remembering Phil Guy

Local blues champions

A quick congratulations to Ron Yarosz and the Vehicle and Carnegie’s Gary Prisby, who last night won the honors of representing the Western Pennsylvania region in the band and solo performer categories at next year’s International Blues Challenge in Memphis. Gregg Krupa of Jill West and Blues Attack was also recognized with the Best Guitar Player Award at the annual Blues Society of Western Pennsylvania (BSWPA) competition.

Posted in Awards | Tagged , , , , | Comments Off on Local blues champions

Shakura S’Aida Finds Sweet Spot on Brown Sugar

With strong, smooth vocals and a great jazz/blues sound, Shakura S’Aida‘s Ruf Records debut, Brown Sugar (April 13),makes for a pretty sweet treat.

ShakuraSugarAnything but shy in kicking off this follow-up to her 2006 Blueprint, the Toronto-based vocalist digs right in with the opening “Mr. Right,” then continues to command your attention with “Walk Out that Door” and “Gonna Tell My Baby,” featuring some notably fine guitar from Donna Grantis. Shakura quiets things down for a few songs beginning with “(Did It) Break Your Heart,” which, along with the closing “Outskirts of Memphis,” earn my votes for the album’s best songs. Another of the more timid tunes worth checking out is “This is Not a Love Song” (which, followed as it is by “Anti Love Song,” starts to give the impression she may not be all that into love songs), while a jazzy “Missing the Good and the Bad” and the funky title track also help make this a solid outing for the 2008 International Blues Challenge runner-up.

When it comes to Brown Sugar, you’re going to want a taste.

Posted in Albums | Tagged | Comments Off on Shakura S’Aida Finds Sweet Spot on Brown Sugar

Blues Lyrics of the Week: Why are People Like That?

This week’s lyrics likely won’t help in restoring faith in your fellow man, but hey, it’s the blues, baby. Written by Bobby Charles, “Why are People Like That?” is probably best recognized coming from Junior Wells, although it’s also been recorded over the years by Muddy Waters (The Muddy Waters Woodstock Album) and Muddy’s son Big Bill Morganfield (Nineteen Years Old), among others.

“They’ll take your love and your money,
They’ll take your sug’r and your honey.
They’ll take ya’ skinny or fat,
Why are people like that?”

And since it’s such a good one, we’ll even throw in a bonus verse, from the song’s close:

“They’ll take your dog and your car,
They’ll promise you’ll be a star.
They’ll break your heart and leave you flat,
Why are people like that?
I don’t know why they act like that,
Why are people like that?
Don’t be like that…”

Posted in Lyrics | Tagged | Comments Off on Blues Lyrics of the Week: Why are People Like That?

Blues on the Pittsburgh stage

Evidently “still alive and well,” international blues guitar legend and producer Johnny Winter will be in Pittsburgh this Thursday, April 8 for a performance at Diesel Club Lounge. The subject of an upcoming biography (Raisin’ Cain: the Wild and Raucous Story of Johnny Winter, Backbeat Books, May 2010), Winter earlier this year put out the sixth volume in his Live Bootleg Series (Friday Music) featuring live tracks selected by Johnny himself. While I haven’t had a chance to check out much of the bootleg series, there are obviously plenty of good live cuts from Winter available elsewhere, one of my favorites being the previously unreleased, nearly 15-minute “You Done Lost Your Good Thing Now” from last year’s The Woodstock Experience double CD set.

But Winter’s certainly not the only blues you’ll catch in the ‘Burgh in the coming days. This weekend, the locals will be squaring off for a chance at becoming international blues stars themselves when they represent the western Pa. region at The Blues Foundation’s annual International Blues Challenge. Sponsored by the Blues Society of Western Pennsylvania, the competition will take place Saturday beginning at 1 p.m. at the Ramada Inn-Greentree with 20-minute performances from 16 of the region’s blues acts, with winners to be crowned in both the solo/duo and band categories. The winners will then compete against other blues acts from across the country and around the world at the International Blues Challenge in Memphis in early 2011.

If Saturday’s challenge doesn’t provide enough of a blues fix for you, the Society is also hosting a Sunday blues brunch at the hotel that features last year’s solo/duo winning act, Bubs McKeg and Dr. Blue. The cost of the brunch is included in the hotel rate for guests staying overnight or open to non-hotel guests for $10 per person.

Posted in Shows | Tagged , , | Comments Off on Blues on the Pittsburgh stage

Nighthawks taking Last Train to Blawnox

With a flip of the calendars to a fresh month, April 16th might be a date worth noting for those of you in southwestern PA. That’s when the legendary Nighthawks will be stopping by Moondog’s in Blawnox in support of the band’s latest release Last Train to Bluesville (RipBang Records), recorded live at the Sirius/XM studio.

NighthawksFormed by Jimmy Thackery and Mark Wenner in the early 1970s (almost a decade and a half before Thackery ventured out on his own), the DC-based Nighthawks have spent the past nearly 40 years touring with and backing the likes of Hubert Sumlin, John Lee Hooker, Pinetop Perkins, Carl Perkins, Muddy Waters, and Elvin Bishop, and making quite a name for themselves along the way. Showing a bit more of a country blues sound on the acoustic Last Train, the ‘hawks cover such classics as “Nineteen Years Old,” “Rollin’ and Tumblin’,” “Can’t Be Satisfied,” James Brown and the Famous Flames’ “I’ll Go Crazy,” Big Joe Turner’s “The Chicken and the Hawk,” and Slim Harpo’s “Rainin’ in My Heart,” with Sonny Boy Williamson’s “Mighty Long Time” and Bo Diddley’s “You Don’t Love Me” as particular standouts.

Though he isn’t featured on the album, West Virginian and longtime drummer for Thackery’s Drivers Mark Stutso now bangs the drums for The Nighthawks, following the departure of their own longtime drummer (of 35 years) Pete Ragusa. We caught Stutso sitting in for a few songs during the Hubert Sumlin/Bob Margolin show at Moondog’s earlier this year and would have to imagine that he makes for a great addition to the Nighthawks. But it certainly sounds like another good reason to catch the band at their April 16 gig to me.

Posted in Albums, Shows | Tagged | Comments Off on Nighthawks taking Last Train to Blawnox

Blues Lyrics of the Week: If the Washing Don’t Get You…

Composed by Homer Banks of Stax Records fame, this one can be heard on recordings by Albert King, The Mannish Boys, and Willie “Big Eyes” Smith, to name a few.

“How many men can you find,
Will give a woman his last dime?
Work like a mule ev’ry day,
And be home and be treated any kind of way.

But your day will come,
Sure as you live.
If the washin’ don’t getcha’,
the rinsin’ surely will.”
– “If the Washing Don’t Get You, the Rinsing Will”

Posted in Lyrics | Comments Off on Blues Lyrics of the Week: If the Washing Don’t Get You…

Hats off to Downchild on I Need a Hat

After four decades in the business, the band Downchild thinks they’ve finally figured it out: all they really need to be famous bluesmen are hats. Hence the title of the band’s latest release I Need a Hat, available April 6 from Linus Entertainment.

You’d think the hat thing might have occurred to these guys a few years earlier, having served as the real-life inspiration for the wildly popular, hat- and shade-wearing Blues Brothers act that helped propel Dan Ackroyd and John Belushi (“on a mission from God,” no less) to mega-stardom, but Downchild seems to have done alright for itself over the years all the same. Now celebrating the band’s 40th anniversary, this experienced and talented team delivers nothing less than another Olympic medal performance for the Canadians with their 16th release I Need a Hat.

dchatHaving spent the past decade and a half of its existence in its present incarnation, Downchild is as tight musically as they are personally. Coming out swinging with “This Must Be Love” and the title track, the sextet then shifts to the slow, soulful groove of “Somebody Lied,” featuring terrific horn-playing from guest Wayne Jackson of the famed Memphis Horns, as well as fellow Canadian Colin James on lead guitar (whose “Just Came Back (to Say Goodbye)” from the Sudden Stop album I still recall fondly as one of my favorite tunes to spin on air the college radio station; you can also hear a great cover of that song on Bernard Allison’s Across the Water CD, but I digress…) and, a bit later, the full band treatment on “Time to Say Good-bye.” The disc also offers some notable harp on songs like “You Don’t Love Me” and the country blues of “Down in the Delta,” along with diverse, solid vocals that evoke comparisons ranging from Pittsburgh soulman and Roy Buchanan collaborator Billy Price to Joe Cocker and Omar Kent Dykes, and even a hint of B.B. King from Donnie Walsh on “Some More of That,” before it all comes to a close with the instrumental “El Stew.” To help mark the special anniversary, the album includes solo appearances from a few additional famous Canucks on “You Don’t Love Me”: Elwood Blues himself (Dan Ackroyd) on harmonica and Colin Linden on guitar.

Not that there was ever much of a doubt, but after hearing this album, it’s clear that Downchild doesn’t really need a hat – or any other kind of gimmick – to be famous: their music speaks for itself. But it will make you want to – in the words of baseball great Sammy Sosa (in reference to a Pittsburgh Pirates pitcher who struck him out, believe it or not) – “take [your] hat off and hand it to [them].”

Posted in Albums | Tagged | Comments Off on Hats off to Downchild on I Need a Hat