More on the Chesapeake Bay Blues Festival: Day Two Recap

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Polish American String Band

Day two of the ninth Chesapeake Bay Blues Festival began in a similar fashion as the first, with a parade from a Mummers string band, this time of the Polish variety. But unlike the previous day, the BluesPowR Blog was there to see this one, which put the normally behind-the-scenes festival founder and organizer Don Hooker front and center as he led the Polish American String Band onto the festival grounds.

Bobby Parker

Bobby Parker

The onstage program began with legendary blues guitarist Bobby Parker, who gives quite a show despite his mature looks and vocals, which can still range from a rough growl to a falsetto. In addition to such classics as “When Things Go Wrong,” “Angel of Mercy,” and a funky “I Ain’t Superstitious,” Parker also offered a number of originals, including one of his first recordings, the rocking “Watch Your Step.”

Big Bill Morganfield

Big Bill Morganfield

The son of another famous blues guitarist was next to take the stage, with Big Bill Morganfield providing an impressive display of the talent he has both inherited from his father, Muddy Waters, and honed during his own years as a performer, with songs that included “Blow Wind Blow,” “Got My Eyes on You,” and “Sail On” before he closed on an exciting rendition of “Mannish Boy.”

New Orleans’ Anders Osborne made certain that anyone who might have dozed off during the short break was wide awake when he came on with the screaming “On the Road to Charlie Parker.” Osborne’s set may have been a little more metal blues than some cared for, but the guy does play a mean guitar and certainly made for an interesting variation from the day’s earlier acts.

Bonerama

Bonerama

Sticking with the New Orleans theme, the schedule next offered the big band sounds of Bonerama, fresh off its West Coast tour. In addition to a smoking medley of the Treme theme and Bobby Bland’s “Turn on Your Love Light,” the youngsters also welcomed Anders Osborne back to the stage for one of the weekend’s top performances, a closing take on Led Zeppelin’s “When the Levee Breaks.”

Joe Louis Walker

Joe Louis Walker

Recent Blues Music Award winner Joe Louis Walker kept things rockin’ with a nice mix of his own songs – most notably, “Sugar Mama” and the closing, Song of the Year-nominated “I’m Tide” – and several numbers featuring guitarist Murali Coryell (son of jazz guitarist Larry Coryell, if the last name sounds familiar to you), including “Minor Funk,” “In the Room with Jimi,” and “Blues is Taking Its Place.”

The Texas tones of guitarist Jimmie Vaughan and his Tilt-a-Whirl Band were the next to grace the amps, including such gems as “What Makes You So Tough” and “Just a Little Bit” before they were joined for a handful of songs by another Texas legend, vocalist Lou Ann Barton. Barton and the band exited the stage to allow Vaughan a quiet solo on “Six Strings Down,” a song about the calling of “another blues-stringer back home” that the Fabulous Thunderbirds founder wrote in memory of brother Stevie Ray. Rejoined by the band, Vaughan closed with a powerful “Texas Flood” before clearing the stage for Sunday headliner Chuck Berry.

Jimmie Vaughan & Lou Ann Barton

Jimmie Vaughan & Lou Ann Barton

Needing to begin the journey home to western PA, we were only able to catch a portion of Berry’s set (once he worked out a tiff with the videographer over being filmed for the jumbotrons) in the form of “Roll Over Beethoven,” “Carol,” and “My Ding-a-Ling.” While the 84-year-old Berry isn’t quite as smooth and spry as he used to be, it was nice to have an opportunity to see the rock n’ roll legend in the flesh.

Congratulations and thanks again to the Chesapeake Bay Blues Festival for putting on this latest in a string of quality events. Here’s hoping for many more years of the blues (and sun) on Annapolis’ sandy shores!

Chuck Berry

Chuck Berry

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Chesapeake Bay Blues Festival 2010 – Day One Recap

As promised, here’s a closer look at the first day of the 2010 edition of the Chesapeake Bay Blues Festival that took place this past weekend in Annapolis, Maryland. We’ll cover day two of the festival in a separate post later this week, in addition to posting photos from both days on our gallery page soon.

Moreland & Arbuckle

Moreland & Arbuckle

We may have missed the festival’s opening parade and performance from the Mummers South Philly String Band (who the organizer admits have nothing to do with the blues, but were on the bill just because he likes them), but made it to our seats in time to catch a few songs from the Barbara Blue-sounding Patty Reese, who was joined for part of the set by special guest Nadine Rae. Wichita boys Moreland and Arbuckle followed (that’s Aaron Moreland on the cigar box guitar while Dustin Arbuckle handles vocals and harp), kicking off with two numbers from their new album Flood before they started the crowd to boogieing with a fine collection of roots rock music that included some nice instrumentals and a particularly rousing rendition of the traditional “John Henry.”

Cedric Burnside & Lightnin' Malcolm

Cedric Burnside & Lightnin’ Malcolm

The “2 Man Wrecking Crew” of Cedric Burnside and Lightnin’ Malcolm succeeded in wrecking the place (and “that’s for doggone sho'”, as Burnside – the grandson of the famous R.L. Burnside – likes to say) with their strong Hill country blues, combining Malcolm’s distorted guitar stylings with Burnside’s powerful drums. Next up with Atlanta blues rocker and often Eric Burdon-sounding Tinsley Ellis, followed by a younger-than-expected incarnation of the legendary Yardbirds.

The Yardbirds

The Yardbirds

Composed of only two original members (Jim McCarty on drums and Chris Dreja on rhythm guitar) joined by newer additions Andy Mitchell on vocals and harmonica, David Smale on bass guitar, and Ben King on lead guitar, the British blues-rock band had no trouble recreating that classic Yardbirds sound on such tunes as “Drinking Muddy Water,” “Train Kept a ‘Rollin’,” “Smokestack Lightning,” “Shape of Things,” “For Your Love,” and “Dazed and Confused.”

Shemekia Copeland

Shemekia Copeland

Making her seventh appearance at the Chesapeake festival, Shemekia Copeland opened with the hit “Sounds Like the Devil” before getting funky with “Givin’ Up You.” Other highlights of her set included the title track from her Never Going Back album, “Has Anybody Seen My Man?,” “Who Stole My Radio?,” and a tribute to her father, the late, great Texas guitar-slinger Johnny Copeland, in “Ghetto Child.” I would have liked to have gotten a few more photos of the band, but Copeland’s commanding presence made it difficult to move the camera to anyone else.

Buddy Guy

Buddy Guy

Headliner Buddy Guy may have brought the day’s first rain, but most of the 5,000-6,000 in attendance for the festival’s ninth run didn’t seem to mind, as Buddy gave a true gem of a performance. Opening the set with “Nobody Understands Me But My Guitar,” Buddy then moved on to a few blues classics, from “Hoochie Coochie Man” and “She’s Nineteen Years Old” to “Someone Else is Steppin’ In (Slippin’ Out)” and “Damn Right I Got the Blues,” as well as the title track from his latest album Skin Deep. Buddy stepped into the crowd himself for “Drowning on Dry Land,” followed by a more weather-appropriate “Feels Like Rain” upon his return to the stage. After recounting a brief history of the blues through a half-musical, half-spoken medley of “Boom Boom/Strange Brew/Voodoo Child,” Buddy closed his set and a great day of music with the always popular “Mustang Sally.”

On a side note, the festival organizers did an especially nice job both keeping the program on schedule and helping attendees to pass the time between sets with videos of past years’ performers and crowds, as well as interviews with the leaders of the charities that have benefitted from the festival. Like any good festival, there are also a good number of craft and merchandise tents to take in, along with plenty of beer and tasty food, including barbecue, crab cakes, and jambalaya, to whet your appetite.

Next time around, we’ll take a similarly detailed look at Sunday’s festival action, from the legendary Chicago sounds of Bobby Parker and Big Bill Morganfield to 2010 Blues Music Award top nominee Joe Louis Walker, the big band tones of Bonerama, and the hot Texas blues of Jimmie Vaughan and Lou Ann Barton.

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Buddy’s the guy at Chesapeake Bay Festival

We tried to post this update from the Chesapeake Bay Blues Festival last night, but unlike the weather, the Internet from our hotel room wasn’t cooperating. Here’s hoping the computer gremlins decided to sleep in this morning.

Buddy Guy, Shemekia Copeland, and The Yardbirds (along with a for-the-most-part cooperative Mother Nature and an estimated 5,000-6,000 fans) helped make the opening day of the 2010 Chesapeake Bay Blues Festival a smashing success. We’ll have lots of photos and a wrap-up of the weekend’s performances over the next few days, but here are a few of the highlights from today’s on-stage action:

Buddy Guy lived up to his headliner (and Blues Music Award for Lifetime Achievement) status with probably the finest performance we’ve seen from him, from blues standards such as “Hoochie Coochie Man” and “Nineteen Years Old” to the title track of his latest release Skin Deep and, in honor of the accompanying drizzle, “Feels Like Rain”;

Shemekia Copeland showed why she was invited back to the festival for yet a seventh time (in its only nine year history) with another superb appearance, including a few songs dedicated to her father Johnny Copeland and the great Koko Taylor;

a more youthful-than-expected version of The Yardbirds proved they still have the classic Yardbirds sound; and

Kansas boys Moreland and Arbuckle offered an impressive show with a mix of songs taken from their new album Flood, instrumentals, and their unique take on a few classics including a rocking “John Henry”

More on these – as well as the day’s other performers Tinsley Ellis and Cedric Burnside and Lightnin’ Malcolm, and a look at Sunday’s acts – in our post-festival wrap.

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On the way to the Bay

There’ll be no holding the blues at bay this weekend when the ninth Chesapeake Bay Blues Festival takes place on the sandy shores of Annapolis’ Sandy Point State Park. As we noted in our earlier post, this festival consistently offers a solid lineup, with the 2010 edition being no exception. Sharing the stage with blues legends Chuck Berry, Bobby Parker and recent Blues Music Lifetime Achievement award recipient Buddy Guy Saturday and Sunday will be an impressive mix of relative newcomers and veteran performers, from Moreland and Arbuckle, Cedric Burnside and Lightnin’ Malcolm, and the Big Easy’s Anders Osborne to Shemekia Copeland, Tinsley Ellis, Big Bill Morganfield, the Yardbirds, Jimmie Vaughan with Lou Ann Barton, and Album of the Year (Between a Rock and the Blues) Blues Music Award winner Joe Louis Walker.

The BluesPowR Blog will of course be on hand to capture and bring you all the best the festival has to offer, but it’s also still not too late to grab your own tickets through either the festival’s website (through today) or at the gates.

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Blues Lyrics of the Week: Looking Back

Sure, there’s always a lot to look forward to – like this weekend’s Chesapeake Bay Blues Festival in Annapolis, for instance. (We’ll have more on the festival in the coming days, but in the meantime, see our previous post regarding Blues on the Bay). But as Johnny “Guitar” Watson pointed out a long time ago (once you’re able to follow him), and as seconded by the likes of John Mayall, Gary Moore, and Rusty Zinn over the years, looking back can be kind of fun too…

“I saw her walkin’ down the street,
the little girl, she looked so sweet.
I followed her for half a mile,
I had to stop and talk a while.

Yea, I was lookin’ back to see
if she was lookin’ back to see
if I was lookin’ back at her.”
–Looking Back, Johnny “Guitar” Watson

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2010 Pittsburgh Blues Festival Line-up

The Pittsburgh Blues Festival today announced the line-up for its 16th annual offering, taking place July 23rd through July 25th at Hartwood Acres. Looks like the place will be rockin’ on Sunday, with Kenny Wayne Shepherd, Tinsley Ellis, and Larry McCray all set to perform, and Eric Burdon and the Animals should give a nice show on Saturday. We’ve also heard and read some good things on Sue Foley & Peter Karp.

Here’s the line-up so far:

Friday, July 23
Chubby Carrier and the Bayou Swamp Band
The Iguanas
Miss Freddye & Blue Faze

Saturday, July 24
Eric Burdon and the Animals
Sonny Moorman
Ron Yarosz and the Vehicle
Sue Foley & Peter Karp
Nick Curran & The LowLifes

Sunday, July 25
Kenny Wayne Shepherd
Tinsley Ellis
Larry McCray

We’ll have much more on the festival as it draws nearer, but to help get you in the spirit (and since this year’s program is still more than two months away), check out the photos from a few festivals past (including a couple of Larry McCray from his last visit in 2007) in the BluesPowR gallery.

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Blues Lyrics of the Week, Mother’s Day Edition: Nobody Loves Me But My Mother

There are of course plenty of blues tunes directed at or about moms on which we could focus this special day, from the more traditional sounds of “Mama Don’t Allow” and Bessie Smith’s “Mama’s Got the Blues” to the likes of “Motherless Child,” “Mama He Treats Your Daughter Mean” and even those “Mother-in-Law Blues,” to name just a few possibilities. But we’ve chosen to go all the way down to the bottom with this one from none other than the King of the Blues, Mr. B.B. King, that starts like this:

“You left me for another man, baby,
Tell me what did he do for you.
Yes, you ran away with another man, baby,
I wanna’ know what did he do for you.
Because now all of your money is gone, baby,
And he ain’t got no more use for you.”

And concludes a few minutes later in a way that only B.B. could:

“Nobody loves me but my mother,
And she could be jivin’ too.
Yes, nobody loves me but my mother,
And she could be jivin’ too.
Now you know why I act so funny with you, baby,
When you do the things you do.”
– Nobody Loves Me But My Mother, B.B. King

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No Losers on Oli Brown’s Heads I Win Tails You Lose

Oli%20Brown%20COVER_resizeIt’s pretty clear from the opening notes of Oli Brown‘s Heads I Win Tails You Lose (Ruf Records) that the British blues rocker’s latest album is another win-win for the artist and his fans.

Back with his fresh, vibrant sound and accomplished guitar, Brown kicks off the follow-up to his 2008 Open Road with the frantic-paced “Evil Soul” (imagine “Got My Mojo Workin'” on steroids) before moving into the shuffling sounds of “Makes Me Wonder.” A rocking version of the popular R&B standard “Fever” is fiery enough to set it apart from the countless other covers of the song you’ve heard, and Brown does an equally nice job showing his more sensitive side on the quieter “Not a Word I Say” and the slow grooves of “I Can Make Your Day.”

In addition to the album’s emotion-laden vocals and admirable riffs, listeners will also hear plenty of funk on songs like “Keeping My Options Open,” “No Diggity,” a hopping “Take a Look Back,” and the soulful “Real Good Time” with its smooth backing vocals, which also nicely complement the brisk rapping vocals of the closing “On Top of the World.” While there’s lots of great stuff to hear on this one, the two best tracks have to be a Matt Schofield-sounding “Speechless” and the slow blues scorcher “Love’s Gone Cold.”

Word around the campfire is that Oli will be making a return trip to the U.S. in the coming months, and it delights us to note that he now has two great albums from which to draw during his shows.

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Blues Lyrics of the Week: Lessons from the Derby Edition (You Can’t Beat the Horses)

Here’s hoping that Saturday’s Kentucky Derby results turned out better for you than Ervin “Big Boy” Groves concludes in the lyrics to this blues rarity.

“If I could pick a horse
to win, place, or show,
I wouldn’t be so broke,
hungry n’ po’
But I done lost so much money
playin’ ’em across the board,
That I wouldn’t bet on Silver
if the Lone Ranger rode.

Oh, you can’t beat the horses
no matter how you try,
You can’t beat the horses,
They’ll break you by and by.”
–You Can’t Beat the Horses, Big Boy Groves

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Blues Lyrics of the Week: Double Trouble

Combined with some fiery guitar, these lyrics – which have been performed by the likes of Eric Clapton, John Mayall, The Paul Butterfield Blues Band, James Blood Ulmer, and Sean Costello over the years, in addition to composer Otis Rush – make for one of the greatest slow blues songs of all time, a song that also served as the inspiration for Stevie Ray Vaughan’s band’s name.

“I lay awake at night,
It’s false love, I’m just so troubled.
It’s hard to keep a job,
Laid off, I’m havin’ double trouble.
Hey, hey, yea,
They say you can make it if you try.
Some of this generation is millionaires,
It’s hard for me to keep decent clothes to wear.”
– Double Trouble, Otis Rush

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