Blues Hall of Fame 2010, or Mr. Handy, where have you been?

It may not receive quite the same attention as an announcement from its rock counterpart, but the Blues Hall of Fame (managed by The Blues Foundation) this week announced its 2010 class of inductees, to be recognized during a May ceremony in Memphis.

Among the individuals being inducted this time around are W.C. Handy, Lonnie Brooks, Charlie Musselwhite, Bonnie Raitt, and Amos Milburn, who wrote several of the great blues drinking songs, including “One Scotch, One Bourbon, One Beer,” “Bad, Bad Whiskey,” “Let Me Go Home Whiskey,” and “Thinking and Drinking. ”

Music selected for induction encompasses both singles and albums, and includes such classics as:

  • “All Your Love (I Miss Loving)” by Otis Rush
  • “Fever” by Little Willie John
  • “Key to the Highway’ by Big Bill Broonzy
  • “Match Box Blues” by Blind Lemon Jefferson
  • “Spoonful” by Howlin’ Wolf
  • Strong Persuader by Robert Cray

It’s hard to believe that some of these individuals and records – particularly Handy as the recognized “Father of the Blues” – are only now being inducted to the Hall of Fame. I would have expected Handy to be inducted long ago, if not in the Hall’s inaugural year in 1980, then certainly at some point during the three decades that have since passed.

wc handy statueI guess one could argue that seeing the likes of Handy, “Key to the Highway,” and “Spoonful” just now being introduced to the Hall is a testament to the tremendous talent that has always and continues to drive the industry, along with the competitiveness of the induction process, and I’m certain that’s true to some degree (“Spoonful” may be one such example, since several other Willie Dixon-penned and/or Howlin’ Wolf-performed songs have been inducted previously). But 30 years still seems like an awfully long time for getting around to honoring one of the earliest and most revered names in the history of the blues, especially when there’s a statue of the man in your city’s park.

It’s good to see Mr. Handy and songs like “Key to the Highway” and “Match Box Blues” finally being recognized with this honor, and we offer our congratulations to Handy’s estate as well as each of the others being inducted in 2010!

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Blues Music Award acoustic spotlight: Samuel James

As I was casting my votes for this spring’s Blues Music Awards, I noted Samuel James among the nominees in both the acoustic artist and acoustic album categories. Life can be a bit tough for a man with two first names, so I figured the least I could do was give his latest album (provided me by his Northern Blues label) a listen.

samueljamesFor an acoustic project, For Rosa, Maeve and Noreen offers a pleasing variety of songs and does a remarkable job highlighting James’ diverse talents and well-written, sometimes clever, lyrics, best evidenced on songs such as “A Sugar Smallhouse Valentine” and the fishin’ diddy “I’ve Haddock Up to Here.” With a sound at times reminiscent of Eric Bibb, Guy Davis, Otis Taylor, and Keb’ Mo’, James proves himself quite capable both musically (in addition to the resonator, flamenco, and 12-string guitars, he also handles banjo, harmonica, piano, foot percussion, tambourine, and hand claps himself) and vocally, sounding just as good on quieter, more sensitive tunes such as “Rosa’s Sweet Lil’ Love Song” and accompanied only by his foot tapping on “Wooden Tombstone” as on the opening “Bigger, Blacker Ben” and the square dance tempo of “Miss Noreen.” Other highlights include “Cryin’ Blind,” the instrumental “Trouble on Congress Street Rag,” and “Path of Ashes,” the gospel tune that closes the album.

Not bad coming from a guy with two first names…

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Blues Lyrics of the Week: Presidents Day Edition

The blues have been around for a few years. So it shouldn’t come as much of a surprise that there have been several blues songs directed at commanders-in-chief or their political decision-making, from the generic “Mr. President” to “Eisenhower Blues” and “President Kennedy” to “Vietnam Blues.”

Probably one of the best-known blues tunes about presidents has more to do with their use on our currency than their actual presidencies or politics, and we can’t think of a more appropriate way to observe the holiday honoring our past national leaders than this one. Written by the late great Willie Dixon, its lyrics still hold true today:

“Hamilton on a ten can get you straight,
But Jackson on a twenty is really great.
And if you’re talkin’ about a poor man’s friend,
Grant will get you out of whatever you’re in.

Them dead presidents,
Them dead presidents,
Well, I ain’t broke,
but I’m badly bent.
Everybody loves them dead presidents.”
-Dead Presidents, Willie Dixon

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I Went Down to the Crossroads

CROSSROADS_tmobileWas pleased to see an announcement yesterday regarding Eric Clapton’s third Crossroads Guitar Festival, taking place this June at Chicago’s Toyota Park. I was fortunate enough to catch the first festival in Dallas in 2004, and it was a terrific show with about as top-notch talent as you can get in one place. You can of course watch portions of both the 2004 and 2007 shows on the Crossroads DVDs produced from the shows, but I can tell you there’s nothing quite like being there to see it for yourself.

This year’s lineup is another great one: in addition to Clapton himself, plenty of other legends will be on hand from the music world, including B.B. King, Buddy Guy, Steve Winwood, Jeff Beck, Hubert Sumlin, the Allman Brothers Band, ZZ Top, John Mayer, and Robert Randolph. While obviously not strictly a blues festival, the one-day show does offer its fair share of blues acts – joining those already mentioned will be Robert Cray, Keb’ Mo, Jimmie Vaughan, Gary Clark Jr., Sonny Landreth, and Joe Bonamassa, to name a few. As in years past, profits from the festival will benefit The Crossroads Centre in Antigua, a treatment and education facility for chemically dependent persons founded by Clapton.

Where will you be June 26, 2010?

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Blues Lyrics of the Week: Drowning on Dry Land

“You know my mother told me the story
About that lil’ dog that couldn’t see too well.
He was crossing a railroad track one day
When the train cut off a part of his tail.
He turned around but never looked up
Just to peep over the rail –
And she said he lost his whole head
Trying to find a little piece of tail.

That’s why I’m going down. My nose is in the sand.
A cloud of dust just came over me,
And now I think I’m drowning on dry land.”

I’ve liked this one ever since I saw Buddy Guy perform it at a Pittsburgh show a few years back. If you want to get a feel for what it’s like to see him do this one live, it’s among the DVD tracks on Buddy’s Can’t Quit the Blues box set, and also appears on Carlos Santana‘s Blues Live at Montreux DVD. Or you can give a listen to one of the numerous other versions of the song recorded through the years by the likes of Albert King, O.V. Wright, Roy Buchanan, Junior Parker, and Tab Benoit.

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Sharing the blues

One recent morning, I walked into my office to find a small stack of record albums sitting on my chair. Flipping through the pile, I discovered that it included original albums from some pretty good artists (Johnny Copeland, Slim Harpo, Lightnin’ Hopkins, Brownie McGhee and Sonny Terry, Fred McDowell, Leadbelly, and Hound Dog Taylor, among them), only one title of which was currently in my collection.

This might be a good place to point out that 1) my day job isn’t with a record or other music-related company, or any business in which it’s common for someone to leave a stack of records on someone else’s chair, and 2) in case you haven’t noticed, LPs haven’t been the medium of choice for music in some time. Even though record companies are beginning to offer limited pressings of more new albums and reissues, the majority of the music out there today is still of the CD format, making this mystery gift all that more, well, mysterious.

Upon some investigation, I learned that the records were left for me by a colleague from my department a few offices down the hall, with whom I had shared numerous conversations regarding music, only occasionally focused on the blues. Turns out he had a few blues records in his collection that he thought I might get more use out of than he does nowadays (either that, or his wife made him start to clean out his record collection – in which case, my wife thanks his.) Ironically, this guy wasn’t even aware of this blog at the time he gave me the records, although he certainly is now.

This occurrence was a good reminder that one of the best things about music can be sharing it with others. Most musicians and club owners certainly seem to feel this way, to do what they do on a daily, weekly, and monthly basis, as do blues societies and foundations all around the world, including the likes of the Blues Foundation, Music Maker Relief Foundation, Blue Shoe Project, and the aforementioned Soul Fixin’ Foundation, to name a few. For those of us who don’t make our livings in the music business, examples of this can range from enjoying the energy of a live show with 50 others in a local club or juke joint or with thousands of friends at a festival, to helping to spread the word about a hot new artist or recording you’ve just heard, as we here at the BluesPowR Blog like to do.

There are plenty of other ways you can “pay it forward” and help bring happiness to others through music, a few simple suggestions on which we offer below. The music you share doesn’t have to be blues, of course, although I’m sure that the artists and record execs who read this blog would appreciate it, but when you think about it, who doesn’t like music of some kind?

Consider giving CDs as gifts for co-workers at the office. The music doesn’t have to come from your personal collection, as was the case with my recent gift. For the holidays, there are a number of pretty good blues Christmas collections out there; for other times of the year, or if you’re not sure of what music the ones for whom you’re buying like or already might have, consider an iTunes card so they can download their own stuff, or a Borders, Barnes & Noble, or Amazon card so they can pick out/order their own CDs or MP3s.

If you have blues lovers for whom you shop each year, you might start buying now (the new CDs from Luther Allison and The Nighthawks out today would both make nice additions to almost anyone’s blues collection) and continue doing it throughout the year when you can more easily find the new releases in stores and online, and you’ll find yourself with a stocking pretty well stuffed by the time December rolls around.

Take a friend to a live show or festival. This can be a win-win-win for all involved: it’s a treat for both you and your friend, at the same time it helps to support hard-working artists. If you’re in the western Pennsylvania area, here’s a good calendar of shows to get you started on this one.

If these suggestions all sound a bit too rich for your blood, or if you’re looking for advice on the one thing you can and should do for yourself and any of your friends who also happen to be fans of the blues – at absolutely no cost – subscribe to our blog and we’ll gladly do some of the sharing for you!

About things comin’ our way…
Since we’re on the topic of gifts, now might be a good time to let you know that, as a music-related blog, we often receive new music and other materials from record companies and music promoters (and yes, sometimes co-workers) at minimal or no cost. While this certainly helps us to keep you informed of the latest happenings in the blues industry, the receipt of these materials in no way guarantees coverage on our blog/site or constitutes any form of pay-for-post or “blogola” arrangement between us and the provider.

Coverage on the BluesPowR Blog is entirely at the discretion of our staff based on an item’s relevance and interest to the BluesPowR community. In accordance with FTC blogging requirements, we will always disclose when we have been provided a promotional copy of material about which we are writing.

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Luther’s Legacy

Correction: In our original post from Friday, we indicated that the Soul Fixin’ Foundation is directed by Luther’s life partner Carolyn “Rocky” Brown, based on information we obtained from the organization’s web site. We have since heard (from Rocky herself) that she does not have any role with the organization, though she believes that Luther would certainly applaud their work in his name. Thanks to Rocky for setting the record straight on this!

A short postscript to yesterday’s post on Luther Allison (Soul Fixin’ Fan: Luther’s Songs from the Road):

Upon his death in 1997, Luther left a number of legacies. In addition to his own music and his blues performer son Bernard, there’s also the Soul Fixin’ Foundation, which derived its name from Luther’s song/album and subsequent nickname “Soul Fixin’ Man,” and is directed by Luther’s life partner Carolyn “Rocky” Brown. Originally established to provide emergency grants to blues musicians unable to perform and in immediate need, such as its recent support of Joe Louis Walker in battling an intestinal infection, the foundation has now expanded its mission to provide musical instruments for terminally ill children.

I’m sure that Luther would be quite proud of all that the Soul Fixin’ Foundation has and continues to accomplish, as well as its dedication to helping to promote Luther’s final message of “Leave your ego, play the music, love the people”

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Soul Fixin’ Fan: Luther’s Songs from the Road

Listening to and watching Luther Allison‘s Songs from the Road (Ruf Records), it’s pretty difficult to believe that the bluesman had only a month to live at the time of its taping. Less than a week after this July 1997 appearance at the Montreal Jazz Festival, Luther was diagnosed with terminal cancer, making this his last live recorded performance.

Albeit somewhat gruffer in the voice than on his previous live recordings, this CD/DVD set (available February 9) is a good reminder of the energy and skill the Soul Fixin’ Man brought to the stage for each of his shows, and does a great job of capturing the intensity of both his guitar and voice.

songsfromroadIf the vinyl-look CD starts off hot with “Cancel My Check,” it’s sweltering by the time the band hits “Will It Ever Change” a few songs later. It’s about here that this listener began to realize that this isn’t just music – it’s magic. Luther’s vocals and guitar are both in full force for “There Comes a Time” (complete with talking guitar), “(Watching You) Cherry Red Wine,” and one of the most soulful renditions of “It Hurts Me Too” you’ll ever hear, before the band closes on a somewhat quieter note with “Serious.” It’s a bit puzzling to me that the producers chose not to include “Move from the Hood” on the CD (it closes the DVD), but otherwise, this is a solid and energized live recording worth adding to your collection.

While the CD itself is enough of a treat, to be able to watch this historical performance on the accompanying DVD is like Christmas in February.

On this night, whether due to the much shorter program than the three- to four-hour shows for which Luther was famous, or perhaps sensing the urgency of the diagnosis to soon follow, Luther and the band wasted no time attempting to build into the evening slowly, instead working into a frenzy on the opening “Cancel My Check.” What you hear on the CD now is confirmed visually, with sweat rolling off Luther by the end of the first song.

Beautifully filmed and produced, the DVD offers an interesting variety of angles on the show, with a nice balance of close-ups on Luther and his masterful fretwork and full stage shots. Along the way, the viewer gets to hear and see plenty of blistering guitar work, including a few actual “licks” when Luther plays the strings with his tongue. Like Luther, the guitar is drenched with sweat a few songs into the show, and Luther never stops moving, still dancing on the DVD’s closing track “Move from the Hood.”

In addition to the stage performance, the DVD also provides a short Luther-focused excerpt from a blues in Europe documentary, including interviews with Luther and some neat footage from performances in The Netherlands and France, often with his son Bernard, as well as an interview with Koko Taylor in which she describes Luther as “one of the finest guitarists around…when he breaks a string, it deserves to be broken.” Also included is a separate interview with Luther filmed the day after the Montreal Jazz Festival show, in which he talks about living in Paris, his Montreux live album, thoughts on jazz music, his love of baseball, his four-hour concerts, and his influences, including Arthur “Big Boy” Crudup, Robert Nighthawk, and Otis Rush. Luther ends the interview with some sage advice: “Young people out there, whatever you do, listen to the blues sometime.” Hear, hear.

Related post: Luther Allison, Live Again

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Blues Lyrics of the Week: Don’t Ever Let Nobody Drag Your Spirit Down

A little spiritual inspiration for a Tuesday morning, although this is good advice any day of the week. Eric Burdon also did a soulful cover of this tune on his Soul of a Man CD a few years back.

“You might slip, you might slide,
You might stumble and fall by the roadside,
But don’t ever let nobody drag your spirit down.
Remember you’re walking up to heaven
Don’t let nobody turn you ’round”
– “Don’t Ever Let Nobody Drag Your Spirit Down,” Eric Bibb

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Blues Lyrics of the Week: Born Under a Bad Sign

Here at the BluesPowR Blog, we hold Albert King in pretty high regard (and not just because he happened to have a hit titled “Blues Power.”) Albert has long been an inspiration to blues guitarists everywhere, including a few you might have heard of named Stevie Ray Vaughan, Otis Rush, and Eric Clapton. Listen to such King songs as “Don’t Throw Your Love on Me Too Strong,” “Going Down,” “Drowning on Dry Land,” and “Everybody Wants to Go to Heaven,” and you’ll quickly realize why.

So, it’s in Albert’s honor that we proudly present this latest B.L.O.W. (Blues Lyrics Of the Week) highlighting what just may be his most popular song: “Born Under a Bad Sign.” It doesn’t get much bluer than this.

“Hard luck and trouble is my only friend,
I been on my own ever since I was ten.
Born under a bad sign,
Been down since I began to crawl.
If it wasn’t for bad luck,
You know I wouldn’t have no luck at all.”

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