Luther Allison: live again

I’ve long been a fan of the live Luther Allison albums. Whether recorded in Chicago, Paris, or Montreux (Where Have You Been?, which chronicles his performances there over nearly a 20-year period), these albums to me capture the essence of the blues, as well as a true blues master. It’s one thing to hear Luther on a studio recording (and he had plenty of good ones), but it’s an entirely different – and far more fulfilling – experience to hear him perform live.

songsfromroadSo I guess saying that I’m looking forward to German label Ruf Records’ February 9 release of Luther’s Songs from the Road CD/DVD would be a bit of an understatement. The same record company that put out Luther’s Underground CD in the fall of 2007, Ruf seems to have a pretty good thing going in its Songs from the Road series, which kicked off last summer with a Jeff Healey compilation from shows in London, Norway, and Toronto.

Capturing Luther’s “last live recorded performance” at the Montreal Jazz Festival in July 1997 (less than a week before he was diagnosed with terminal cancer), Songs from the Road will allow fans to hear and see – as recorded by Canadian Television – nearly all of Luther’s 90-minute set from that show, including such hits as “Cherry Red Wine,” “Cancel My Check,” “Move from the Hood,” “It Hurts Me Too,” and “Serious.”

We’ll certainly be taking a closer look and listen at this double live offering just as soon as we get the opportunity.

In the meantime, a quick note on Ruf Records: in addition to a pretty diverse roster of more established acts (including Luther and son Bernard Allison, Canned Heat, Jack Bruce and Robin Trower, and Walter Trout), the label also has some pretty impressive up-and-comers in Oli Brown (who, by the way, included a nice cover of Luther Allison’s “All the King’s Horses” on his Open Road CD) and Joanne Shaw Taylor, to name a few.

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Hubert Sumlin/Bob Margolin show photos

Just posted to the BluesPowR gallery: more photos from last week’s Moondog’s show featuring blues guitar legends Bob Margolin and Hubert Sumlin. Check them out at http://photos.bluespowr.com/GalleryFilmstrip.aspx?gallery=305914

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Blues Lyrics of the Week: Mona Lisa was a man

“If I don’t love you baby…
Grits ain’t groceries,
Eggs ain’t poultry,
And Mona Lisa was a man”

I mentioned this one in yesterday’s post on the Homemade Jamz Blues Band (I Got Blues for You) as being the new album’s only cover song. Written by Titus Turner, Grits Ain’t Groceries was first recorded by blues performer Little Milton, and has over the years been covered by the likes of Van Morrison, John Mayall, Edwin McCain, George Jones, and blues-rock band Wet Willie.

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I Got Blues for You

I still don’t know quite how it happened, but somehow I managed to miss ever hearing the 2008 debut album from the Homemade Jamz Blues Band, a much-acclaimed trio of siblings ages 11 to 17 who burst onto the national blues scene when they took second place in the 2007 International Blues Challenge. Could be that I took the title of that album – “Don’t Pay Me No Mind” – a bit too literally, or, being the cynic I am, that I subconsciously thought all the hype around the band was more about their ages than it was the actual music. You’d think I might have at least caught on and given the album a listen when it earned the band a 2009 Blues Music Award nomination for best new artist debut, making them the youngest-ever nominees in the history of the awards.

HJBBBut no, it wasn’t until I heard the group’s new CD “I Got Blues for You” (provided to me by the kind folks at the band’s Northern Blues label) that I had any inkling of what I might have missed from the band the first time around. Starting off strong with Hard Headed Woman, the band’s sophomore release doesn’t let up until the closing title track, offering plenty of funk in the meantime with songs such as King Snake and the album’s only cover, Little Milton’s Grits Ain’t Groceries.

This group of youngsters has a surprisingly tight, compelling sound, with lyrics (written by father Renaud, who also guests on harmonica) and vocals (by eldest sibling Ryan) that evoke a maturity well beyond their years (Heaven Lost an Angel and Alcoholic Woman are two particularly good examples), providing a hip, energetic performance that easily rivals music from the likes of Robert Randolph and Back Door Slam. Give Rumors and Loco Blues a listen if you don’t believe me.

So if, like me, you’ve been remiss in checking out the Homemade Jamz Blues Band, it might be best to do while it’s still somewhat early in their career. Otherwise, you may find yourself with a lot of catching up to do in another year or two.

Now, if you’ll please excuse me, I believe I have a 2008 album to download.

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Blues Guitar Heroes

Incredible show at Moondog’s Thursday night from blues guitar masters Bob Margolin, Hubert Sumlin and band. In addition to covering many of the classics from their days in the bands of Muddy Waters and Howlin’ Wolf, respectively, these guys threw in a nice array of songs from other blues/R&B performers such as Jerry Lee Lewis, Ray Charles (a rompin’ version of “What’d I Say”), and quite a few from the legendary Nappy Brown, including drummer Chuck Cotton on vocals for “Keep on Pleasin’ You” and young blues rocker/guitarist Matt Hill taking on vocals and lead guitar for “Lemon Squeezin’ Daddy” – SONY DSCcomplete with on-the-floor antics reminiscent of Nappy himself (which prompted Margolin to announce him as “on the bass, on the guitar, and on the floor: Matt Hill” during the introduction of the band). Hill also does a mean job on vocals and lead on “Howlin’ for My Baby”, which seemed to impress even Sumlin, who’s probably heard the song thousands of times since he first played it with the Wolf.

Matt Hill

Matt Hill

Other highlights of the evening included a Margolin-led tribute to his longtime bandmate and friend Pinetop Perkins on “How Long Blues”, which according to Margolin, Perkins still “plays at least once a night, sometimes two or three,” Margolin and Sumlin without the rest of the band of “Going Down Slow”, and the whole gang taking it full-tilt with one of the strongest performances of “Got My Mojo Workin'” you’ll ever hear.

It was also a real treat to see and hear them play “Don’t Go No Further”, a Muddy tune which featured Sumlin on guitar on the original recording and that Sumlin later included on his About Them Shoes album, and a bunch of Wolf songs, including “Sittin’ on Top of the World” and “Built for Comfort”, following Sumlin’s taking the stage to “Killing Floor”.

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Hubert Sumlin

The band was joined by several hometown special guests throughout the evening, with blue-eyed soul man Billy Price taking on vocals for several songs and new Nighthawks drummer Mark Stutso taking a turn on the cans as well as vocals on “Matchbox Blues”.

It isn’t everyday that two legends of blues guitar come through town to play together, particularly in as intimate a venue as Moondog’s, so I expect this is one that blues fans fortunate enough to have been in attendance will remember and talk about for some time.

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Blues on the Bay

Effectively landlocked in the City of Champions for most of the year (and snowed under for what often seems half of it), we at the BluesPowR Blog occasionally find a way to sneak off to slightly more coastal climates. Often it’s in the form of family vacations, which usually tends to feature more music from Winnie the Pooh and The Backyardigans than it does the likes of B.B. King and Taj Mahal, a small sacrifice to make in exchange for a much-needed break and some quality fun-in-the-sun time with my lovely wife and two terrific kids. And we’re fortunate to sometimes be able to make trips solely in pursuit of the blues music I love.

With any luck, we’ll have an opportunity to experience a little bit of both in May, when we’ll be looking to pack up the minivan and head south to Annapolis, Md., for the (mostly) annual Chesapeake Bay Blues Festival (CBBF) at Sandy Point State Park.

Despite having encountered its fair share of difficulties (mostly financial) during its lifetime – forcing the organizers to skip a few years along the way, and resulting in the constant threat of an untimely end for the festival that hovers over it like the storm clouds which often accompany the event – the CBBF organizers somehow manage to put together solid lineups for blues fans nearly every time (although the lineup can be somewhat repetitive – acts like Shemekia Copeland, the Nighthawks, and Hubert Sumlin have played the festival numerous times over the years, but hey, there are worse problems to have than continually attracting that kind of talent).

Take last year, for example, which offered probably one of the best festival lineups across the nation with performances from a great mix of established and rising stars, including Albert Cummings, Lonnie Brooks, Ana Popovic, Shemekia Copeland, Back Door Slam, Jonny Lang, and Zac Harmon (Eric Burdon of The Animals and War fame was also scheduled to perform but needed to drop out because of health reasons). BluesPowR Blog unfortunately wasn’t able to make last year’s festival due to other commitments, but hopes to make up for it with a return visit to the festival this May, seeing the just-announced lineup for 2010 (early-bird tickets go on sale Friday, Jan. 15).

In addition to headliners Buddy Guy and Chuck Berry, BluesPowR Blog is probably most excited about the inclusion of Big Bill Morganfield (son of Muddy Waters) and Jimmie Vaughan (Stevie Ray’s brother) among this year’s performers. The Mummers Parade-South Philly String Band certainly makes an interesting twist to the lineup, which also features Cedric Burnside, Bobby Parker, Tinsley Ellis, Moreland and Arbuckle, and, for at least a third time, Shemekia Copeland (daughter of Johnny Clyde Copeland). Once again, and similar to other festivals across the country, proceeds from this year’s show will benefit some worthwhile causes (Special Olympics, We Care, Camp Face, and Special Love in this case), giving even more reason to let loose and partake in the food and drink while you’re there. According to the event’s organizers, last year’s festival resulted in more than $30,000 for its designated charities.

It’s unfortunate that financial problems have forced the cancellation of even some of the largest blues festivals across the country in recent years (including last year, the San Francisco Blues Festival), and I certainly hope it’s a trend we’ll soon see start to reverse, or at least halted. Maybe it’s all the fond memories I have from my years as a regular at the CBBF (when I lived in Maryland and it was quite a bit easier to get to the event than it is now) – sitting in the pouring rain waiting (and waiting) for Bo Diddley to take the stage in 2001, after watching Sista Monica and blues legends Elvin Bishop & Smokey Smothers warm things up for him earlier in the day, only for Bo to play a few songs and then step down on account of the rain, or volunteering in the festival’s hospitality tent during the 5th annual event in 2002, which gave me my first real opportunity to meet and talk with blues musicians like Shemekia Copeland, Tab Benoit, Lil’ Ed and his band, Magic Slim, Kenny Wayne Shepherd, and the guys from Double Trouble – or maybe it’s the stellar lineups they come up with year after year, or maybe it’s that I’m such a sucker for a good pulled pork sandwich (courtesy of Red Hot & Blue) and beer with my blues, but I sure do hope that the storm cloud soon passes and that the CBBF continues going strong for many years to come.

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Blues Lyrics of the Week: Only 12 More Months to Go…

“The tax man told me,
I make more than I owe,
Livin’ too fast, and I’m goin’ down slow,
It’s been a real bad year – only 12 more months to go”
– “Bad Year Blues”, Albert Castiglia

If that doesn’t start to put you in the mood for a whole year of singing the blues, not sure what will. Believe it or not, Castiglia does find a way to put even more of a damper on things when he continues:

“There’s just one thing,
I really, really fear –
All this bad luck and trouble,
Carries on into next year”

Here’s hoping your year is off to a much better start than his and that you enjoy a year filled with the blues – but only of the musical variety.

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Fathers and Sons (and daughters too)

Last week’s post regarding Elmore James, Jr., got me to thinking about some of the other children of blues greats who are helping to keep the genre alive through their own music. A few (in no particular order) who jump to mind:

Shemekia Copeland – daughter of Johnny “Clyde” Copeland
Bernard Allison – son of Luther Allison
Sam Carr – son of Robert Nighthawk
Lurrie Bell – son of Carey Bell
Kenny “Beady Eyes” Smith – son of Willie “Big Eyes” Smith
Big Bill Morganfield and Mud Morganfield – sons of McKinley Morganfield (Muddy Waters)
Kenny Neal – son of Raful Neal
John Lee Hooker, Jr., and Zakiya Hooker – son and daughter of John Lee Hooker

And that’s not even mentioning some of the other relatives to blues greats, the likes of Phil Guy (the late brother of Buddy), Alex Dixon (grandson of Willie Dixon), and Nick Holt (brother of Morris Holt, a.k.a. Magic Slim), to name a few. Or artists whose music and/or relative’s music often encompasses the blues, including Derek Trucks (nephew to Allman Brothers Band drummer Butch Trucks) and Doyle Bramhall II (son of Doyle Bramhall), both of whom have joined none other than Eric Clapton on tour in recent years.

Even a quick list such as this is enough to suggest that there is much truth to the phrase “blues in the blood”

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Blues had a baby…

And they named it the BluesPowR Blog, where we’ll be confessin’ the blues and bringing you the latest and greatest from the blues music world.

So without further ado – and in keeping with the theme of this inaugural post around offspring of the blues, we turn to a new release from the son of one of blues’ all-time greats, slide guitarist and Rock & Roll Hall of Famer Elmore James. We’ll have to save discussion of the elder James’ many accomplishments – including such hits as The Sky is Crying, It Hurts Me Too, Madison Blues, Shake Your Moneymaker, One Way Out, and Dust My Broom, to name just a few – and influence on music, which obviously extends far beyond the blues, for a later post, as for now, all eyes and ears are on the one they call Jr.

In addition to having long ago adopted his father’s full name (his given name was Earnest Johnson after his stepfather, but he wisely accepted the advice of blues legend Willie Dixon during a mid-1960s recording session and traded in his performing name of Earnest Jr. – Mr. Soul for the more distinguishing moniker of Elmore James Jr.), the younger James has proudly carried out the tradition of his father’s blues for the past four decades, including having served as featured vocalist for the legendary Aces for many years and now fronting his own Broomdusters blues band.

Elmore Jr.’s previous CD – titled “Daddy Gave Me the Blues” – included its fair share of nods to his father’s music and style, from its clever title track to his original instrumental Steppin’ with Elmo (a nickname Sr. used for himself in such songs as Elmo’s Shuffle) to covers of classics like Tore Down, Oh Baby, See See Rider, and Willie Dixon’s Going Back Home (also previously recorded by Sr.), whose lyrics of “I believe, I believe I’ll go back home” will catch even the most casual of listeners’ ears with their borrowing from the Robert Johnson (later popularized by Elmore Sr.) tune Dust My Broom. So it wasn’t much of a surprise when Jr.’s “Daddy” album received Living Blues magazine’s award for Best Debut Album of 2008.

elmore_jr_pls_set_date (236x240)Now, with his latest release “Please Set a Date” (Wolf Records), titled after a song recorded by his father and others from B.B. King to Peter Green to George Thorogood through the decades, Jr. continues to do his part in keeping the broomdusting alive with a nice blend of originals and blues covers – in addition to the title track, he includes several others either written or popularized by his father, including Dust My Broom, The Sky is Crying, Mean Mistreater, and Look on Yonder Wall. To help with filling the transition of time between father and son (not that he exactly needs help in that area since Jr. sounds just as true and relevant singing his father’s songs as he does his originals), he offers his own arrangement of the traditional blues tune She’s Gone and an Amtrack Train song credited to both Jr. and Sr. that sounds to be an update of Sr.’s Sunnyland Train. Top that off with a revisiting of two tunes – Steppin’ with Elmo and Don’t Get Mad – from Jr’s previous release and the soulful closer I’ve Been Around the World, and you have a solid, swinging outing from Mr. James Jr. and his new label.

With Sr.’s life and career having ended entirely too early (he died of a heart attack in 1963 at only 45 years of age), blues fans are blessed to be able to hear from this talented next of kin. While some might say that Jr.’s simply following in his father’s footsteps, give this new disc a listen and it becomes quite clear that Jr.’s indeed steppin’ with, never behind, his father’s spirit.

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Wishing you a blues Christmas…

Season’s greetings and best wishes for a healthy and prosperous New Year from the BluesPowR Blog. Here’s hoping Santa and his elves continue to fill your stockings with lots of great blues music!

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